{"id":2397,"date":"2014-11-03T20:06:31","date_gmt":"2014-11-04T04:06:31","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/?p=2397"},"modified":"2014-11-03T20:06:31","modified_gmt":"2014-11-04T04:06:31","slug":"warhol-films-and-eleanor-friedberger","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2014\/11\/warhol-films-and-eleanor-friedberger.html","title":{"rendered":"“Warhol Films” and Eleanor Friedberger"},"content":{"rendered":"

[contextly_auto_sidebar id=”4kKdYZoxCdDYt0tlY8PDmS0mVgEBCQX8″]<\/p>\n

The Brooklyn Academy of Music will soon host an odd hybrid performance recently put on at UCLA’s Royce Hall, Exposed: Songs for Unseen Warhol Films. Curated by my friend Dean Wareham, the show, which included legendary guitarist Tom Verlaine and Bradford Cox of Deerhunter and others, was mixed-to-brilliant, depending on who was playing: It had a funny stop-start movement because of all the four-and-a-half-minute films.<\/p>\n

Among the highlights for me was the three-song set by Eleanor Friedberger, who I still associate with her old band, Fiery Furnaces, despite what’s become a really inventive solo career.<\/p>\n

Here<\/a> is a video from a song from her last album, which Merge put out last year.\"220px-EF_Last_Summer\"<\/a><\/p>\n

I’d happily buy a disc of her interpreting all of these short films, especially with that great overdriven guitar sound she gets.<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

[contextly_auto_sidebar id=”4kKdYZoxCdDYt0tlY8PDmS0mVgEBCQX8″] The Brooklyn Academy of Music will soon host an odd hybrid performance recently put on at UCLA’s Royce Hall, Exposed: Songs for Unseen Warhol Films. Curated by my friend Dean Wareham, the show, which included legendary guitarist Tom Verlaine and Bradford Cox of Deerhunter and others, was mixed-to-brilliant, depending on who was playing: […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[70,63,40,117,675],"tags":[],"class_list":{"0":"post-2397","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-brooklyn","8":"category-indie","9":"category-ucla","10":"category-warhol","11":"entry","12":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/2397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=2397"}],"version-history":[{"count":1,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/2397\/revisions"}],"predecessor-version":[{"id":2399,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/2397\/revisions\/2399"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=2397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=2397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=2397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}