{"id":2109,"date":"2014-09-06T16:21:34","date_gmt":"2014-09-06T23:21:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/?p=2109"},"modified":"2014-09-06T16:22:36","modified_gmt":"2014-09-06T23:22:36","slug":"the-wild-and-romantic-robyn-hitchcock","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2014\/09\/the-wild-and-romantic-robyn-hitchcock.html","title":{"rendered":"The Wild and Romantic Robyn Hitchcock"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;xANv3Jjm5ljwdEVoQbaPVK2EMGMYSFMx&#8221;]<\/p>\n<p>ONE of the most unexpectedly delightful records of the year is the new LP by psychedelic Brit Robyn Hitchcock. The former Soft Boy has been moving in a more romantic and understated direction lately, but the album &#8212; produced by Joe Boyd, known for his work with Britfolk gods and R.E.M. &#8212; took me by surprise. It&#8217;s a low-key acoustic collection of half original material and half covers, including the Furs&#8217; The Ghost in You and Roxy Music&#8217;s To Turn You On, stripped of their &#8217;80s meringue.<\/p>\n<p>He spoke to me mostly about the album, his creative process, and other musicians he admires. But also said this when describing the huge numbers of musicians &#8212; of every generation &#8212; all competing for the same attention in a shrinking field:<a href=\"https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2014\/09\/Robyn_Hitchcock_-_The_Man_Upstairs.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-2110\" src=\"https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2014\/09\/Robyn_Hitchcock_-_The_Man_Upstairs.jpg\" alt=\"Robyn_Hitchcock_-_The_Man_Upstairs\" width=\"220\" height=\"220\" srcset=\"https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2014\/09\/Robyn_Hitchcock_-_The_Man_Upstairs.jpg 220w, https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2014\/09\/Robyn_Hitchcock_-_The_Man_Upstairs-150x150.jpg 150w, https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2014\/09\/Robyn_Hitchcock_-_The_Man_Upstairs-100x100.jpg 100w, https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2014\/09\/Robyn_Hitchcock_-_The_Man_Upstairs-200x200.jpg 200w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/a><\/p>\n<blockquote><p><span style=\"color: #000000;\">It\u2019s like the stateroom scene at \u201cA Night at the Opera\u201d by the Marx Brothers. More and more waiters coming and going. \u201cWho ordered the eggs?\u201d, you know? So it\u2019s definitely harder in that respect. You\u2019re certainly not going to be nourished by a record company while you develop your career or keep to being a niche artist because you\u2019re cool.<\/span><\/p><\/blockquote>\n<p><a title=\"ST w Robyn H\" href=\"http:\/\/www.salon.com\/2014\/09\/05\/robyn_hitchcock_i_don%E2%80%99t_think_i%E2%80%99ve_written_many_songs_about_lightbulb_heads_or_insects_or_frogs_in_25_years\/\" target=\"_blank\">Here<\/a> is my interview with Mr. Hitchcock.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;xANv3Jjm5ljwdEVoQbaPVK2EMGMYSFMx&#8221;] ONE of the most unexpectedly delightful records of the year is the new LP by psychedelic Brit Robyn Hitchcock. The former Soft Boy has been moving in a more romantic and understated direction lately, but the album &#8212; produced by Joe Boyd, known for his work with Britfolk gods and R.E.M. &#8212; took [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[92,40,73],"tags":[],"class_list":{"0":"post-2109","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-britfolk","7":"category-indie","8":"category-r-e-m","9":"entry","10":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/2109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=2109"}],"version-history":[{"count":2,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/2109\/revisions"}],"predecessor-version":[{"id":2112,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/2109\/revisions\/2112"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=2109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=2109"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=2109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}