{"id":1843,"date":"2014-06-18T13:42:40","date_gmt":"2014-06-18T20:42:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/?p=1843"},"modified":"2014-06-18T13:46:58","modified_gmt":"2014-06-18T20:46:58","slug":"rip-horace-silver","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2014\/06\/rip-horace-silver.html","title":{"rendered":"RIP Horace Silver"},"content":{"rendered":"

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WELL, this time it seems to be for real: Jazz pianist, songwriter and founding Jazz Messenger Horace Silver has died at 85. Silver’s recordings, under his own name and in his 1950s group with Art Blakey, were some of the first jazz I got into, and I’ve been marveling at his genius all over again since I’ve learned to play his “Song for My Father” on guitar.\u00a0 \"220px-Horace_Silver_and_the_Jazz_Messengers\"<\/p>\n

Here<\/a> is the NPR report.<\/p>\n

I don’t love the sound on this, but I’ve linked to a live performance<\/a> from Copenhagen. My band will tackle this one in the garage later this week.<\/p>\n

What struck me originally about Silver’s music is his soulfulness — his style comes out of the church and the blues, as well as Cape Verde — and his effortless melodicism. He’s one of the key figures of hard bop — perhaps its founder.<\/p>\n

The great Horace Silver will be missed!<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

[contextly_auto_sidebar id=”nSfJU3F4qca0WNdrRd2gjfF0g8ANwvpR”] WELL, this time it seems to be for real: Jazz pianist, songwriter and founding Jazz Messenger Horace Silver has died at 85. Silver’s recordings, under his own name and in his 1950s group with Art Blakey, were some of the first jazz I got into, and I’ve been marveling at his genius all […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[145,42,59],"tags":[],"class_list":{"0":"post-1843","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-50s","7":"category-jazz","8":"category-piano","9":"entry","10":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/1843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=1843"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/1843\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=1843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=1843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=1843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}