{"id":1145,"date":"2009-02-19T10:04:00","date_gmt":"2009-02-19T18:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2009\/02\/wallace-stegner-and-the-american-west.html"},"modified":"2009-02-19T10:04:00","modified_gmt":"2009-02-19T18:04:00","slug":"wallace-stegner-and-the-american-west","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2009\/02\/wallace-stegner-and-the-american-west.html","title":{"rendered":"Wallace Stegner and the American West"},"content":{"rendered":"<p><a href=\"http:\/\/2.bp.blogspot.com\/_yrL6yfubw8g\/SZ2iKFEmdWI\/AAAAAAAAAGg\/soNJFz4_dOQ\/s1600-h\/stegner.jpg\"><img decoding=\"async\" src=\"http:\/\/2.bp.blogspot.com\/_yrL6yfubw8g\/SZ2iKFEmdWI\/AAAAAAAAAGg\/soNJFz4_dOQ\/s320\/stegner.jpg\" border=\"0\" alt=\"\"><\/a><br \/>THOUGH he&#8217;s best known for his novels, wallace stegner&#8217;s non-fiction, especially his essays, are among the wonders of the american west&#8230; <a href=\"http:\/\/egan.blogs.nytimes.com\/2009\/02\/18\/stegners-complaint\/\">here is a fine NYT piece<\/a> by northwest correspondent timothy egan on the occasion of the great writer&#8217;s 100th birthday. (stegner was born 60 years before yours truly, almost to the day.)<\/p>\n<div><\/div>\n<div>the subject of egan&#8217;s piece is stegner&#8217;s assertion that the literary west was being overlooked by the new york\/east coast literary establishment. i get into some of this in an <a href=\"http:\/\/articles.latimes.com\/2007\/nov\/24\/entertainment\/et-stegner24\">LAT piece here<\/a>, which includes an interview with philip fradkin, author of the bio, just out in paperback, to the right. i also speak briefly to renowned poet\/farmer wendell berry.<\/div>\n<div><\/div>\n<div>stegner has become a patron saint of resentful westerners, which i find myself some days becoming. but what&#8217;s sometimes overlooked is that he was, like all good writers, a critic and conscience of his region as well. as stegner pointed out, the west had more than its share of local-boosterism, and this is part of what kept the east from taking its claims seriously.\u00a0<\/div>\n<div><\/div>\n<div>my favorite line of stegner&#8217;s comes from this side of his intellect: that the relationship of the rural west to washington, dc (the other axis of that dreaded eastern establishment) is &#8220;leave us alone and send us more money.&#8221;<\/div>\n<div><\/div>\n<div>on a day when stegner&#8217;s beloved state of california has struggled against homegrown anti-tax zealots to get a budget signed, and is still more than $40 billion in the hole &#8212; and waiting for assistance from, ah, washington and its tax revenues &#8212; the man seems more prescient than ever!<\/div>\n<div><\/div>\n<div>Photo credit: <a href=\"http:\/\/www.amazon.com\/Wallace-Stegner-American-Philip-Fradkin\/dp\/0520259572\/ref=pd_bbs_sr_1?ie=UTF8&#038;s=books&#038;qid=1235066930&#038;sr=8-1\">Amazon<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>THOUGH he&#8217;s best known for his novels, wallace stegner&#8217;s non-fiction, especially his essays, are among the wonders of the american west&#8230; here is a fine NYT piece by northwest correspondent timothy egan on the occasion of the great writer&#8217;s 100th birthday. (stegner was born 60 years before yours truly, almost to the day.) the subject [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[35,543,29],"tags":[],"class_list":{"0":"post-1145","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-books","7":"category-stegner","8":"category-west-coast","9":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/1145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=1145"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/1145\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=1145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=1145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=1145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}