{"id":1063,"date":"2009-10-27T10:40:00","date_gmt":"2009-10-27T17:40:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2009\/10\/salman-rushdie-vs-los-angeles.html"},"modified":"2009-10-27T10:40:00","modified_gmt":"2009-10-27T17:40:00","slug":"salman-rushdie-vs-los-angeles","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2009\/10\/salman-rushdie-vs-los-angeles.html","title":{"rendered":"Salman Rushdie vs. Los Angeles"},"content":{"rendered":"<p><a href=\"http:\/\/2.bp.blogspot.com\/_yrL6yfubw8g\/SudBQByIhqI\/AAAAAAAAAdo\/l0l41eTf3Ik\/s1600-h\/MidnightsChildren.jpg\"><img decoding=\"async\" src=\"http:\/\/2.bp.blogspot.com\/_yrL6yfubw8g\/SudBQByIhqI\/AAAAAAAAAdo\/l0l41eTf3Ik\/s320\/MidnightsChildren.jpg\" border=\"0\" alt=\"\"><\/a><br \/>WHEN i agreed to hang out with novelist <a href=\"http:\/\/en.wikipedia.org\/wiki\/Salman_rushdie\">salman rushdie<\/a> in and around hollywood for a few hours, i would not have been surprised to find myself embroiled in a discussion about george harrison&#8217;s facility for the sitar, or to be shown the very drugstore where an acid-tripping aldous huxley encountered &#8220;the doors of perception.&#8221; but i did not expect to get into a hilarious story about &#8220;starsky and hutch.&#8221;<\/p>\n<div><\/div>\n<div>that&#8217;s part of what i like about reading rushdie as well &#8212; you never quite know where his work is going to swerve, but most of the time his excursions reinforce rather than undercut his literary personality. <a href=\"http:\/\/articles.latimes.com\/2008\/jun\/29\/entertainment\/ca-rushdie29\">here<\/a> is that piece, by the way, which is about the most fun i&#8217;ve had on a literary story. and i am very glad neither of us got shot, which looked for a minute like it was about to happen.<\/div>\n<div><\/div>\n<div>a few days ago i visited a new exhibit at the los angeles county museum of art dedicated to <a href=\"http:\/\/www.lacma.org\/art\/exhibindiancomics.aspx\">comics from india<\/a> &#8212; more on that in a future post. but the show made me think of rushdie and his wild mixing of ancient and pop-contemporary, especially in books like &#8220;<a href=\"http:\/\/en.wikipedia.org\/wiki\/Midnight%27s_Children\">midnight&#8217;s children<\/a>&#8221; (a book i read in a kind of fever it was so good) and his last novel &#8220;the enchantress of florence.&#8221;<\/div>\n<div><\/div>\n<div>these days, i hear from his publicist, rushdie is completing a new novel and the script to a &#8220;midnight&#8217;s children&#8221; film. since his books &#8212; as he discusses in our interview &#8212; were so profoundly effected by movies, especially bollywood and &#8220;the wizard of oz&#8221; &#8212; this project could appealingly close the circle.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>WHEN i agreed to hang out with novelist salman rushdie in and around hollywood for a few hours, i would not have been surprised to find myself embroiled in a discussion about george harrison&#8217;s facility for the sitar, or to be shown the very drugstore where an acid-tripping aldous huxley encountered &#8220;the doors of perception.&#8221; [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[421,420,35,254,419,180,156,30,279,204],"tags":[],"class_list":{"0":"post-1063","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-midnights-children","7":"category-aldous-huxley","8":"category-books","9":"category-comics","10":"category-george-harrison","11":"category-india","12":"category-lacma","13":"category-los-angeles","14":"category-realism","15":"category-salman-rushdie","16":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/1063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=1063"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/1063\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=1063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=1063"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=1063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}