{"id":1050,"date":"2009-11-18T17:55:00","date_gmt":"2009-11-19T01:55:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2009\/11\/passion-is-no-ordinary-word.html"},"modified":"2009-11-18T17:55:00","modified_gmt":"2009-11-19T01:55:00","slug":"passion-is-no-ordinary-word","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2009\/11\/passion-is-no-ordinary-word.html","title":{"rendered":"&quot;Passion is No Ordinary Word&quot;"},"content":{"rendered":"<p><a href=\"http:\/\/2.bp.blogspot.com\/_yrL6yfubw8g\/SwSpgF8nAjI\/AAAAAAAAAhQ\/jOANXP27pLA\/s1600\/howlin.jpg\"><img decoding=\"async\" src=\"http:\/\/2.bp.blogspot.com\/_yrL6yfubw8g\/SwSpgF8nAjI\/AAAAAAAAAhQ\/jOANXP27pLA\/s320\/howlin.jpg\" border=\"0\" alt=\"\"><\/a><br \/>I&#8217;M kind of giddy to note that this week marks the birthday of British &#8220;Angry Young Man&#8221; Graham Parker. Parker broke about the same time as Elvis Costello, bringing with him righteous anger, a voice that resembled Van Morrison and perhaps American R&#038;B, and a musical traditionalism grounded in The Band and other US models. <\/p>\n<div><\/div>\n<div>Though he never hit as hard as Elvis or even Joe Jackson &#8212; those glasses probably didn&#8217;t help &#8211;Parker has been a minor idol of mine since my high school days scrawling out his lyrics out in an attempt to teach myself literary imagery.<\/p>\n<div><\/div>\n<div>This song, from his 1979 &#8220;Squeezing Out Sparks&#8221; LP, gives the best sense of why we love the guy. Word-drunk, bitter, and catchy, he just destroys this song, &#8220;<a href=\"http:\/\/www.youtube.com\/watch?v=-3ETAZSFWWs\">Protection<\/a>.&#8221; These &#8220;<a href=\"http:\/\/www.youtube.com\/watch?v=4C2SkcC3TXc\">Local Girls<\/a>&#8221; fare similarly, dispatched by what may be the worst dressed band in history! And this is a live &#8220;<a href=\"http:\/\/www.youtube.com\/watch?v=V9kHlwMgul8&#038;feature=related\">Passion is No Ordinary Word<\/a>.&#8221;<\/div>\n<div><\/div>\n<div>Shrewd listeners will note a backbone of Jamaican music in his style &#8212; the one kind of music punks could admit to liking &#8212; and here plays <a href=\"http:\/\/www.youtube.com\/watch?v=7WE46xGV9EU&#038;feature=related\">Bob Marley<\/a> on Conan. Could not find a video for my favorite reggae tune of his, &#8220;Crazy Baldhead.&#8221;<\/div>\n<div><\/div>\n<div>Finally, a stripped-down &#8220;Y<a href=\"http:\/\/www.youtube.com\/watch?v=9E0pRC-KeC4\">ou Can&#8217;t Take Love For Granted<\/a>.&#8221; Ouch!<\/div>\n<div><\/div>\n<div>I spoke to Parker a few years back, around the time of his No Depression inspired &#8220;Your Country&#8221; LP. (In which Parker told me, by the way, that he had heard Gram Parsons.) I&#8217;ll post it as soon as the LATimes archive is back. In any case, Happy Birthday to an underrated musician!<\/div>\n<div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;M kind of giddy to note that this week marks the birthday of British &#8220;Angry Young Man&#8221; Graham Parker. Parker broke about the same time as Elvis Costello, bringing with him righteous anger, a voice that resembled Van Morrison and perhaps American R&#038;B, and a musical traditionalism grounded in The Band and other US models. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[88,385,127,38],"tags":[],"class_list":{"0":"post-1050","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-brit-culture","7":"category-graham-parker","8":"category-punk","9":"category-rock-music","10":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/1050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=1050"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/1050\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=1050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=1050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=1050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}