{"id":1000,"date":"2010-03-01T12:05:00","date_gmt":"2010-03-01T20:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2010\/03\/overpopulation-and-robert-silverberg.html"},"modified":"2010-03-01T12:05:00","modified_gmt":"2010-03-01T20:05:00","slug":"overpopulation-and-robert-silverberg","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2010\/03\/overpopulation-and-robert-silverberg.html","title":{"rendered":"Overpopulation and Robert Silverberg"},"content":{"rendered":"<p>This week sees the reissue of <i>The World Inside<\/i>, a long-obscure science-fiction novel that could become a miniseries on HBO.<\/p>\n<p><a href=\"http:\/\/1.bp.blogspot.com\/_yrL6yfubw8g\/S4weBgfkuOI\/AAAAAAAAArI\/lCZK18H1woY\/s1600-h\/TheWorldInside(1stEd).jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"400\" src=\"http:\/\/1.bp.blogspot.com\/_yrL6yfubw8g\/S4weBgfkuOI\/AAAAAAAAArI\/lCZK18H1woY\/s400\/TheWorldInside(1stEd).jpg\" width=\"263\"><\/a>Of course, it&#8217;s delicious to think of this hyper-urbanized future world &#8212; in which people live in 800-story apartment complexes and have sex whenever they want &#8212; serving as the setting for the next <i>Deadwood<\/i> or <i>The Wire<\/i>.<\/p>\n<p>The novel&#8217;s author, Robert Silverberg, is a veteran sf writer who really his his stride in the early &#8217;70s, around the time he moved to Oakland, where he still lives.<\/p>\n<p>He&#8217;s aways been a bit of a contrarian, and during the field&#8217;s late &#8217;60s\/early &#8217;70s period, much of sf was especially left wing. Silverberg has framed himself in contrast as a Burkean conservative with a respect for tradition, allegiances to traditional &#8220;high&#8221; culture and libertarian leanings.<\/p>\n<p>With books like <i>The Population Bomb<\/i> and other expressions of Malthusian dread appearing in this period, Silverberg released a novel in which people have adapted to overpopulation and live with it more or less happily.<\/p>\n<p><a href=\"http:\/\/io9.com\/5459815\/important-robert-silverberg-novel-back-in-print\">Here<\/a> is my piece on <i>The World Inside<\/i> for <a href=\"http:\/\/io9.com\/\">io9<\/a>, which includes a brief interview with Silverberg. And <a href=\"http:\/\/www.latimes.com\/entertainment\/news\/la-et-robert-silverberg21-2009apr21,0,542888.story\">here<\/a> an earlier (and broader) LA Times profile of the author, tied to the reissue of another &#8220;lost&#8221; early &#8217;70s classic, <i>Dying Inside<\/i>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week sees the reissue of The World Inside, a long-obscure science-fiction novel that could become a miniseries on HBO. Of course, it&#8217;s delicious to think of this hyper-urbanized future world &#8212; in which people live in 800-story apartment complexes and have sex whenever they want &#8212; serving as the setting for the next Deadwood [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[69,35,308,137,307,29],"tags":[],"class_list":{"0":"post-1000","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-70s","7":"category-books","8":"category-overpopulation","9":"category-science-fiction","10":"category-silverberg","11":"category-west-coast","12":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/1000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=1000"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/1000\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=1000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=1000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=1000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}