{"id":444,"date":"2012-01-29T09:08:58","date_gmt":"2012-01-29T16:08:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/audience\/?p=444"},"modified":"2012-01-29T09:08:58","modified_gmt":"2012-01-29T16:08:58","slug":"learning-to-play-ball-on-a-new-field","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/audience\/2012\/01\/learning-to-play-ball-on-a-new-field\/","title":{"rendered":"Learning to Play Ball on a New Field"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/audience\/2012\/01\/learning-to-play-ball-on-a-new-field\/moneyball-2\/\" rel=\"attachment wp-att-449\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-449\" title=\"MoneyBall\" src=\"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/01\/MoneyBall1-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/01\/MoneyBall1-225x300.jpg 225w, https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/01\/MoneyBall1-375x500.jpg 375w, https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/01\/MoneyBall1.jpg 535w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a>In the book,<strong> Moneyball: The Art of Winning an Unfair Game<\/strong>\u00a0Michael Lewis reveals how the\u00a0Oakland Athletics\u00a0baseball team and its\u00a0general manager\u00a0Billy Beane crafted an analytical, evidence-based, <em><strong>sabermetric*\u00a0<\/strong><\/em>approach to assembling a competitive\u00a0baseball\u00a0team, despite Oakland&#8217;s disadvantaged revenue situation.<\/p>\n<p>(*<a href=\"http:\/\/sabr.org\/\" target=\"_blank\">SABR<\/a>\u00a0refers to the Society of American Baseball Research, an entity founded in 1971 to compile information of interest to\u00a0historians, statisticians, researchers and fans of the game.)<\/p>\n<p>With Brad Pitt cast as the lead in this year&#8217;s movie, the story progresses through the obstacles and risks inherent when &#8220;necessity is the mother of invention.&#8221;<\/p>\n<p>But to be honest, I&#8217;m less interested in the story of the first baseball team to discover the transformative power of empirical evidence than I am <em><strong>of the last holdout.\u00a0<\/strong><\/em><\/p>\n<p>Look, there is no shame in not being the first person to solve a profound challenge. \u00a0Undoubtedly, many people had apples fall upon their heads, but only Isaac Newton \u00a0was inspired by the act to conceive of the notion of gravity.<\/p>\n<p>But the world contains precious few Isaac Newtons and Billy Beanes &#8211; and far more people who firmly &#8220;know what they know&#8221; and stubbornly resist even the consideration of change.<\/p>\n<p>Here in Arizona, we are less than a year into our experience with the <strong>Arizona Arts &amp; Cultural Census\/Community Database &#8211;\u00a0<\/strong>a secure and confidential means to analyze patterns of audience participation. \u00a0We&#8217;ve learned to consider this an\u00a0<em><strong>information asset <\/strong><\/em>that provides powerful analytical tools which enable arts &amp; cultural organizations to become smarter and more effective in their own efforts while revealing areas of mutual need and opportunity in their service to all Arizona communities.<\/p>\n<p>The Census\/Community Database is conducted via the\u00a0\u201ceMerge\u201d technology of the company\u00a0<strong><a href=\"http:\/\/www.trgarts.com\/\" target=\"_blank\">TRG Arts<\/a>,\u00a0<\/strong>which\u00a0enables authorized users\u00a0to conduct research and compile dynamic direct-mail lists in an environment that is highly secure and which carefully guards confidentiality and protects privacy.<\/p>\n<p>So far, the Community Database tracks the arts &amp; cultural participation of more than 808,000 unique Arizona households &#8211; which is more than 36 percent of ALL Arizona households.<\/p>\n<p>We have only just begun to climb the data&#8217;s steep learning curve &#8211; but even the first few steps of the journey have been nothing short of insightful, exciting and highly impactful. \u00a0(If you&#8217;d like to see what we&#8217;ve uncovered so far, you&#8217;ll find numerous postings here: \u00a0<a href=\"http:\/\/notes.allianceforaudience.org\/\">http:\/\/notes.allianceforaudience.org\/<\/a>)<\/p>\n<p>I mention this because at the start of Arizona&#8217;s community database project I was informed by the CEO of one significant organization that his company would not participate because,<strong><em> &#8220;we&#8217;d prefer to be guided by artistic vision rather than by statistical analysis.&#8221;<\/em><\/strong><\/p>\n<p>Perhaps over time his feelings &#8211; or the needs of that organization &#8211; will change. \u00a0 I certainly respect their right to determine their own path. \u00a0But I do not believe for even one second that the choices are mutually exclusive.<\/p>\n<p>I also don&#8217;t believe that any arts or cultural organization &#8211; regardless of its size, genre, location or history &#8211; can ignore that the game is now being played in fundamentally new ways.<\/p>\n<p># # #<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the book, Moneyball: The Art of Winning an Unfair Game\u00a0Michael Lewis reveals how the\u00a0Oakland Athletics\u00a0baseball team and its\u00a0general manager\u00a0Billy Beane crafted an analytical, evidence-based, sabermetric*\u00a0approach to assembling a competitive\u00a0baseball\u00a0team, despite Oakland&#8217;s disadvantaged revenue situation. (*SABR\u00a0refers to the Society of American Baseball Research, an entity founded in 1971 to compile information of interest to\u00a0historians, statisticians, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[34,4],"tags":[],"class_list":{"0":"post-444","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-marketing","7":"category-strategy","8":"entry","9":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/posts\/444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/comments?post=444"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/posts\/444\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/media?parent=444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/categories?post=444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/tags?post=444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}