{"id":1207,"date":"2012-12-18T12:34:19","date_gmt":"2012-12-18T19:34:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion.png"},"modified":"2012-12-18T12:34:19","modified_gmt":"2012-12-18T19:34:19","slug":"463px-waterscrewperpetualmotion","status":"inherit","type":"attachment","link":"https:\/\/www.artsjournal.com\/audience\/2012\/12\/prediction-for-2013-value-proposition\/463px-waterscrewperpetualmotion\/","title":{"rendered":"463px-WaterScrewPerpetualMotion"},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":""},"class_list":{"0":"post-1207","1":"attachment","2":"type-attachment","3":"status-inherit","5":"entry","6":"has-post-thumbnail"},"description":{"rendered":"<p class=\"attachment\"><a href='https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion.png'><img loading=\"lazy\" decoding=\"async\" width=\"231\" height=\"300\" src=\"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion-231x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion-231x300.png 231w, https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion-386x500.png 386w, https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion.png 463w\" sizes=\"auto, (max-width: 231px) 100vw, 231px\" \/><\/a><\/p>\n"},"caption":{"rendered":"<p>Robert Fludd&#8217;s 1618 &#8220;water screw&#8221; perpetual motion machine from a 1660 wood engraving.; the first recorded attempt to describe such a device.<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/png","media_details":{"width":"463","height":"599","hwstring_small":"height='96' width='74'","file":"2012\/12\/463px-WaterScrewPerpetualMotion.png","sizes":{"thumbnail":{"file":"463px-WaterScrewPerpetualMotion-150x150.png","width":"150","height":"150","source_url":"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion-150x150.png"},"medium":{"file":"463px-WaterScrewPerpetualMotion-231x300.png","width":"231","height":"300","source_url":"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion-231x300.png"},"large":{"file":"463px-WaterScrewPerpetualMotion-386x500.png","width":"386","height":"500","source_url":"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion-386x500.png"},"Mini Square":{"file":"463px-WaterScrewPerpetualMotion-70x70.png","width":"70","height":"70","source_url":"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion-70x70.png"},"Square":{"file":"463px-WaterScrewPerpetualMotion-110x110.png","width":"110","height":"110","source_url":"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion-110x110.png"},"Featured Tabs":{"file":"463px-WaterScrewPerpetualMotion-150x225.png","width":"150","height":"225","source_url":"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion-150x225.png"},"full":{"file":"463px-WaterScrewPerpetualMotion.png","width":463,"height":599,"mime_type":"image\/png","source_url":"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion.png"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":""}},"post":1206,"source_url":"https:\/\/www.artsjournal.com\/audience\/wp-content\/uploads\/2012\/12\/463px-WaterScrewPerpetualMotion.png","_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/media\/1207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/comments?post=1207"}],"wp:attached-to":[{"embeddable":true,"post_type":"post","id":1206,"href":"https:\/\/www.artsjournal.com\/audience\/wp-json\/wp\/v2\/posts\/1206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}