{"id":159,"date":"2009-03-01T16:55:00","date_gmt":"2009-03-01T16:55:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/artopia\/wp\/?p=159"},"modified":"2011-09-04T18:06:57","modified_gmt":"2011-09-04T22:06:57","slug":"judith_bernsteins_phalluses_re","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artopia\/2009\/03\/judith_bernsteins_phalluses_re.html","title":{"rendered":"Judith Bernstein&#8217;s Phalluses Revealed: First Artopia Video Blog"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><b><font size=\"3\"><font color=\"#000000\">The Turn of the Screwed<o:p><\/o:p><\/font><\/font><\/b><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><b><font size=\"3\"><font color=\"#000000\">&nbsp;<o:p><\/o:p><\/font><\/font><\/b><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font color=\"#000000\" size=\"3\">Judith Bernstein&#8217;s outrageously penile screw drawings continue to be anti-war, anti-sexist statements that rise above simplistic agitprop. Her show last year at the Mitchell Algus Gallery in Chelsea garnered considerable attention.<\/font><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font size=\"3\"><font color=\"#000000\">&nbsp;<o:p><\/o:p><\/font><\/font><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font color=\"#000000\" size=\"3\">The first art critic to review her work (in the Village Voice in 1973), I have been a long-time champion. Recently, I introduced her talk at the Drawing Center in SoHo and, through the miracle of my new Flip digital recorder and YouTube, I<span style=\"mso-spacerun: yes\">&nbsp; <\/span>can share a 10-minute clip right here:<\/font><\/p>\n<p><font color=\"#000000\" size=\"3\">&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><embed src=\"http:\/\/www.youtube.com\/v\/tF96FMWe2_8&amp;hl=en&amp;fs=1\" width=\"480\" height=\"295\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/p>\n<p><\/embed><\/font><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font size=\"3\"><font color=\"#000000\">&nbsp;<o:p><\/o:p><\/font><\/font><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font size=\"3\"><font color=\"#000000\">&nbsp;<o:p><\/o:p><\/font><\/font><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font size=\"3\"><font color=\"#000000\">&nbsp;<o:p><\/o:p><\/font><\/font><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font size=\"3\"><font color=\"#000000\">&nbsp;<o:p><\/o:p><\/font><\/font><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font size=\"3\"><font color=\"#000000\">&nbsp;<o:p><\/o:p><\/font><\/font><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font color=\"#000000\" size=\"3\"><em>Many thanks to Judith Bernstein, to the Drawing Center and its executive director Brett Littman<\/em>.<\/font><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font size=\"3\"><font color=\"#000000\">&nbsp;<o:p><\/o:p><\/font><\/font><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font size=\"3\"><font color=\"#000000\">&nbsp;<o:p><\/o:p><\/font><\/font><\/p>\n<p class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"><font size=\"3\"><font color=\"#000000\">&nbsp;<o:p><\/o:p><\/font><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Turn of the Screwed &nbsp; Judith Bernstein&#8217;s outrageously penile screw drawings continue to be anti-war, anti-sexist statements that rise above simplistic agitprop. Her show last year at the Mitchell Algus Gallery in Chelsea garnered considerable attention. &nbsp; The first art critic to review her work (in the Village Voice in 1973), I have been [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[58,55,56,57],"class_list":{"0":"post-159","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-anti-war","8":"tag-judith-bernstein","9":"tag-phalluses","10":"tag-screws","11":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/posts\/159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/comments?post=159"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/posts\/159\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/media?parent=159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/categories?post=159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/tags?post=159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}