{"id":1340,"date":"2011-12-08T09:44:09","date_gmt":"2011-12-08T14:44:09","guid":{"rendered":"http:\/\/www.artsjournal.com\/artopia\/?p=1340"},"modified":"2011-12-08T13:33:31","modified_gmt":"2011-12-08T18:33:31","slug":"art-cops-occupy-moma","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artopia\/2011\/12\/art-cops-occupy-moma.html","title":{"rendered":"ART COPS OCCUPY MOMA!"},"content":{"rendered":"<p>In the world&#8217;s first and only art criticism cartoon, John Perreault&#8217;s art cops instigate, investigate, insinuate, cogitate, agitate.<\/p>\n<h2>Who provided bail? Who were they working for? Whose side are they on?<\/h2>\n<p>&nbsp;<\/p>\n<p><object width=\"560\" height=\"315\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/nvNra4Oml7I?version=3&amp;hl=en_US&amp;rel=0\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed width=\"560\" height=\"315\" type=\"application\/x-shockwave-flash\" src=\"http:\/\/www.youtube.com\/v\/nvNra4Oml7I?version=3&amp;hl=en_US&amp;rel=0\" allowFullScreen=\"true\" allowscriptaccess=\"always\" allowfullscreen=\"true\" \/><\/object><\/p>\n<p>&nbsp;<\/p>\n<p>To sample John Perreault\u2019s \u00a0sand paintings you may preview \u00a0online the Kauai Museum catalog for\u00a0<em>Mark Van Wagner and John Perreault: Drawing from Sand,\u00a0<\/em>with a short essay by art critic Peter Frank. \u00a0Click \u00a0<a href=\"http:\/\/www.blurb.com\/bookstore\/detail\/2616190\">Here<\/a><em><a href=\"http:\/\/www.blurb.com\/bookstore\/detail\/2556380\">.<\/a>\u00a0\u00a0<\/em>The exhibition runs from Nov. 12 to Jan. 20 in Lihue, HI. then travels to the Lincoln Gallery, Naropa University, Boulder, CO., opening March 16.<\/p>\n<p><em>For easy access to 200 previous Artopia essays by topics, go to top bar, click on ABOUT, click on ARCHIVE, then scroll down to listing by Headlines.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>NEVER MISS AN ARTOPIA ESSAY AGAIN! FOR AN AUTOMATIC ARTOPIA ALERT contact perreault@aol.com<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>John Perreault is on Facebook. You can also follow John Perreault on Twitter: johnperreault<\/em><\/p>\n<p><em>For Art Cops cartoons and other videos on Youtube: John Perreault Channel. \u00a0Main J<a href=\"http:\/\/johnperreault.com\/\">ohn Perreault \u00a0website.<\/a>\u00a0More of John Perreault\u2019s\u00a0<a href=\"http:\/\/johnperreault.info\/home.html\">art<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the world&#8217;s first and only art criticism cartoon, John Perreault&#8217;s art cops instigate, investigate, insinuate, cogitate, agitate. Who provided bail? Who were they working for? Whose side are they on? &nbsp; &nbsp; To sample John Perreault\u2019s \u00a0sand paintings you may preview \u00a0online the Kauai Museum catalog for\u00a0Mark Van Wagner and John Perreault: Drawing from [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[199],"class_list":{"0":"post-1340","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-art-cops-occupy-moma","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/posts\/1340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/comments?post=1340"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/posts\/1340\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/media?parent=1340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/categories?post=1340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/tags?post=1340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}