{"id":7,"date":"2011-07-14T02:42:06","date_gmt":"2011-07-14T02:42:06","guid":{"rendered":"http:\/\/www.artsjournal.com\/artopia\/wp\/?page_id=7"},"modified":"2011-07-15T01:19:17","modified_gmt":"2011-07-15T01:19:17","slug":"john-perreault","status":"publish","type":"page","link":"https:\/\/www.artsjournal.com\/artopia\/john-perreault","title":{"rendered":"John Perreault"},"content":{"rendered":"<p>For examples of art by John Perreault <a href=\"http:\/\/johnperreault.info\">CLICK HERE.<\/a>&#8230;.I have written about art for a number of years, specializing in first-person art criticism as art critic for the Village Voice, then in the Soho News. I have championed<\/p>\n<p>new art of all kinds: from Minimalism and Earth Art to realist painting; from Pattern Painting to Performance Art; from Street Works to ceramics and design. As a young poet, I began as a critic by writing short reviews for ArtNews when it was the Artforum of its day, graduated to articles, and then as a freelancer went on to write for more publications than I can list here.<br \/>\nI have been President of the American Section of the International Association of Art Critics. Currently I am  a Trustee of the Tiffany Foundation. I wrote a book for Abrams on the watercolors of Philip Pearlstein.  I have also been a museum curator, an arts administrator, and professor of art history: all examples of what a poet, artist, and art critic such as myself sometimes has to do to make a living. However, I have enjoyed all of these day jobs and in the process learned a great deal that now informs my art criticism.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For examples of art by John Perreault CLICK HERE.&#8230;.I have written about art for a number of years, specializing in first-person art criticism as art critic for the Village Voice, then in the Soho News. I have championed new art of all kinds: from Minimalism and Earth Art to realist painting; from Pattern Painting to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":{"0":"post-7","1":"page","2":"type-page","3":"status-publish","5":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/comments?post=7"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/pages\/7\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/media?parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}