{"id":975,"date":"2011-10-02T12:16:25","date_gmt":"2011-10-02T16:16:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd.jpg"},"modified":"2011-10-02T12:16:25","modified_gmt":"2011-10-02T16:16:25","slug":"igodfxd","status":"inherit","type":"attachment","link":"https:\/\/www.artsjournal.com\/artopia\/2011\/10\/fluxness-had-enough.html\/igodfxd","title":{"rendered":"Vautier, God."},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":""},"class_list":{"0":"post-975","1":"attachment","2":"type-attachment","3":"status-inherit","5":"entry","6":"has-post-thumbnail"},"description":{"rendered":"<p class=\"attachment\"><a href='https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"157\" height=\"300\" src=\"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd-157x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd-157x300.jpg 157w, https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd.jpg 262w\" sizes=\"auto, (max-width: 157px) 100vw, 157px\" \/><\/a><\/p>\n"},"caption":{"rendered":"<p>Ben Vautier, God, 1961.<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":"262","height":"500","hwstring_small":"height='96' width='50'","file":"2011\/10\/igodfxd.jpg","sizes":{"thumbnail":{"file":"igodfxd-150x150.jpg","width":"150","height":"150","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd-150x150.jpg"},"medium":{"file":"igodfxd-157x300.jpg","width":"157","height":"300","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd-157x300.jpg"},"Mini Square":{"file":"igodfxd-70x70.jpg","width":"70","height":"70","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd-70x70.jpg"},"Square":{"file":"igodfxd-110x110.jpg","width":"110","height":"110","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd-110x110.jpg"},"Featured Tabs":{"file":"igodfxd-150x225.jpg","width":"150","height":"225","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd-150x225.jpg"},"full":{"file":"igodfxd.jpg","width":262,"height":500,"mime_type":"image\/jpeg","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"Digital Image \u00c2\u00a9 2010 MoMA, N.Y.","focal_length":"0","iso":"0","shutter_speed":"0","title":""}},"post":961,"source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/10\/igodfxd.jpg","_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/media\/975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/comments?post=975"}],"wp:attached-to":[{"embeddable":true,"post_type":"post","id":961,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/posts\/961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}