{"id":1228,"date":"2011-11-28T15:01:24","date_gmt":"2011-11-28T20:01:24","guid":{"rendered":"http:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3.jpg"},"modified":"2011-11-28T15:01:24","modified_gmt":"2011-11-28T20:01:24","slug":"3","status":"inherit","type":"attachment","link":"https:\/\/www.artsjournal.com\/artopia\/2011\/11\/why-artists-fail-sherrie-levine-and-maurizio-cattelan.html\/attachment\/3","title":{"rendered":"3"},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":""},"class_list":{"0":"post-1228","1":"attachment","2":"type-attachment","3":"status-inherit","5":"entry","6":"has-post-thumbnail"},"description":{"rendered":"<p class=\"attachment\"><a href='https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"223\" height=\"300\" src=\"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3-223x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3-223x300.jpg 223w, https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3.jpg 270w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/a><\/p>\n"},"caption":{"rendered":"<p>Maurizio Cattelan: The Ninth Hour, <\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":"270","height":"363","hwstring_small":"height='96' width='71'","file":"2011\/11\/3.jpg","sizes":{"thumbnail":{"file":"3-150x150.jpg","width":"150","height":"150","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3-150x150.jpg"},"medium":{"file":"3-223x300.jpg","width":"223","height":"300","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3-223x300.jpg"},"Mini Square":{"file":"3-70x70.jpg","width":"70","height":"70","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3-70x70.jpg"},"Square":{"file":"3-110x110.jpg","width":"110","height":"110","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3-110x110.jpg"},"Featured Tabs":{"file":"3-150x225.jpg","width":"150","height":"225","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3-150x225.jpg"},"full":{"file":"3.jpg","width":270,"height":363,"mime_type":"image\/jpeg","source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":""}},"post":1223,"source_url":"https:\/\/www.artsjournal.com\/artopia\/wp\/wp-content\/uploads\/2011\/11\/3.jpg","_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/media\/1228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/comments?post=1228"}],"wp:attached-to":[{"embeddable":true,"post_type":"post","id":1223,"href":"https:\/\/www.artsjournal.com\/artopia\/wp-json\/wp\/v2\/posts\/1223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}