{"id":917,"date":"2006-07-12T08:38:15","date_gmt":"2006-07-12T15:38:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/artfulmanager\/wp\/2006\/07\/content_and_commerce\/"},"modified":"2006-07-12T08:38:15","modified_gmt":"2006-07-12T15:38:15","slug":"content_and_commerce","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artfulmanager\/main\/content_and_commerce.php","title":{"rendered":"Content and commerce"},"content":{"rendered":"<p>Fellow blogger Tyler Green calls out the growing commerce-friendly focus of the Smithsonian Institution in <a href=\"http:\/\/www.latimes.com\/news\/opinion\/commentary\/la-oe-green10jul10,0,1323715.story\">this <i>LA Times<\/i> editorial<\/a>. Says Green:<\/p>\n<blockquote><p><i><br \/>\nThe Smithsonian&#8217;s leaders and their congressional overseers are allowing too much of our national museum to be transformed into a series of pavilions where, in exchange for sponsorship money and other deals, corporations may determine what parts of the American story should be told.<br \/>\n<\/i><\/p><\/blockquote>\n<p>Faced with a budget crunch and a growing need for capital improvements, the Smithsonian is turning to creative incentives for corporate funds. Green wonders at what point those creative incentives supercede the institution&#8217;s public purpose for balanced and scholarly inquiry.<\/p>\n<p>Of course, the line between content decisions and commerce pressures isn&#8217;t unique to the museum or even the nonprofit world. Even that bastion of commercial hucksterism, network television, is struggling with the boundary, as well. KCRW&#8217;s &#8221;The Business&#8221; devotes <a href=\"http:\/\/www.kcrw.com\/cgi-bin\/db\/kcrw.pl?show_code=tb&#038;air_date=7\/9\/06&#038;tmplt_type=Show\">an entire episode<\/a> to the question of product integration &#8212; the weaving of branded moments into television content (like the whole family on &#8221;Seventh Heaven&#8221; chattering about Oreo cookies, or the contestants on &#8221;Treasure Hunters&#8221; turning to ASK.COM for clues). It turns out that network television is also feeling the financial pressure from a fractured audience and a more competitive marketplace for corporate attention.<\/p>\n<p>The difference between the Smithsonian and the networks is the tenor of the struggle. For the Smithsonian, it&#8217;s a question of violating public trust and public purpose&#8230;especially when the majority of its funding comes from our federal taxes. For the networks, it&#8217;s a question of how much the audience will tolerate before switching attention to any one of a thousand other media choices.<\/p>\n<p>Credibility and trust are key variables in both equations. It should be fascinating to watch how both the nonprofit and for-profit industries find their feet.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fellow blogger Tyler Green calls out the growing commerce-friendly focus of the Smithsonian Institution in this LA Times editorial. Says Green: The Smithsonian&#8217;s leaders and their congressional overseers are allowing too much of our national museum to be transformed into a series of pavilions where, in exchange for sponsorship money and other deals, corporations may [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-917","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/comments?post=917"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/917\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media?parent=917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/categories?post=917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/tags?post=917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}