{"id":838,"date":"2006-01-25T08:46:12","date_gmt":"2006-01-25T16:46:12","guid":{"rendered":"http:\/\/www.artsjournal.com\/artfulmanager\/wp\/2006\/01\/ecological_mission_vs_insular\/"},"modified":"2006-01-25T08:46:12","modified_gmt":"2006-01-25T16:46:12","slug":"ecological_mission_vs_insular","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artfulmanager\/main\/ecological_mission_vs_insular.php","title":{"rendered":"Ecological mission vs. insular alliance"},"content":{"rendered":"<p>There&#8217;s a common theme that pops up in almost every conversation I have with funders, practitioners, and academics about the future of cultural enterprise. Here&#8217;s the motif: our mission statements and aspirations are ecological in scope, but our alliances and energies are locked to the particular channel we&#8217;ve chosen to serve.<\/p>\n<p>For example, a symphony&#8217;s leadership may claim they want to &#8221;engage a wide and public audience in the transformative experience of classical music,&#8221; but their behavior often suggests the hidden caveat &#8221;with us as the primary channel.&#8221; Or, a public broadcasting organization may claim their goal is to &#8221;provide free and public access to great works of musical art,&#8221; but pushes for the preservation of their current business model and broadcast structure to make it so.<\/p>\n<p>It&#8217;s as if we silently add the phrase &#8221;through <i>my<\/i> organization&#8221; to the end of every mission statement.<\/p>\n<p>Don&#8217;t get me wrong, I&#8217;m all for self preservation. It is a large part of any cultural manager&#8217;s job to look out for the health and connection of their specific organization, and the sustainability of their business model. But I&#8217;m beginning to see the radical disconnect between what we claim to be about, and what actions we take under that claim.<\/p>\n<p>If a symphony was <i>really<\/i> about connecting a public to classical music, it would recognize that it&#8217;s not the only organization that does that, and perhaps admit that other organizations achieve elements of that goal more effectively. If public radio was <i>really<\/i> about free and equitable access to great works of musical arts, it would strive to make space for a full range of organizations in its community to support that cause.<\/p>\n<p>As resources constrain and communities refocus, the disconnect between what goals we work for and who pays our salary will likely become increasingly difficult to resolve. If we&#8217;re primarily about preserving our particular organization, let&#8217;s say so out loud. If we have a broader vision for a more vibrant culture, we&#8217;ll all need to give up a bit of our turf.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s a common theme that pops up in almost every conversation I have with funders, practitioners, and academics about the future of cultural enterprise. Here&#8217;s the motif: our mission statements and aspirations are ecological in scope, but our alliances and energies are locked to the particular channel we&#8217;ve chosen to serve. For example, a symphony&#8217;s [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-838","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/comments?post=838"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/838\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media?parent=838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/categories?post=838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/tags?post=838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}