{"id":750,"date":"2005-08-19T08:35:04","date_gmt":"2005-08-19T15:35:04","guid":{"rendered":"http:\/\/www.artsjournal.com\/artfulmanager\/wp\/2005\/08\/our_version_of_nature_vs_nurtu\/"},"modified":"2005-08-19T08:35:04","modified_gmt":"2005-08-19T15:35:04","slug":"our_version_of_nature_vs_nurtu","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artfulmanager\/main\/our_version_of_nature_vs_nurtu.php","title":{"rendered":"Our version of &#8216;nature vs. nurture&#8217;"},"content":{"rendered":"<p>There&#8217;s an article archetype in the press every few years, about how difficult it is to fill the top slot at America&#8217;s leading museums, and about whether boards should search for business leaders or art scholars to plug the hole. This time around, the article is <a href=\"http:\/\/online.wsj.com\/article_email\/0,,SB112432829823516261-IBjgINilaZ4m5yrbHyHaq2Im5,00.html\">in the <i>Wall Street Journal<\/i><\/a>.<\/p>\n<p>In a nutshell:<\/p>\n<blockquote><p><i><\/p>\n<p>Who should run a big art museum? Executives with corporate skills that could help them manage these multimillion-dollar institutions through major expansions? Or leaders with traditional art-world credentials?&#8230;.<\/p>\n<p>Some art-world veterans insist that running museums is not like running for-profit businesses. Museums have long been accustomed to covering their operating costs through their endowments rather than through retail operations or ticket sales. According to [Maxwell] Anderson, currently a principal in cultural consultancy AEA Consulting, the average visitor costs a museum about $80, substantially more than the typical price of a ticket &#8212; meaning that museum directors must spend energy raising funds to support a business premised on losing money.<\/p>\n<p><\/i><\/p><\/blockquote>\n<p>With 15 art museums across the U.S. currently searching for new directors, the conversation is likely raging in boardrooms from coast to coast.<\/p>\n<p>There are two shortcomings to this shorthand &#8212; the idea that business savvy and aesthetic credibility are mutually exclusive qualities that require a proactive choice. First, all cultural nonprofits <i>are<\/i> businesses&#8230;just of a certain kind. Whether trained or not, whether they admit it or not, successful leaders of these institutions have qualities of business leadership.<\/p>\n<p>Second, aesthetic sense and sensibility are not exclusive to those who have followed the academic\/curatorial track. The fostering\/filtering systems of academia have certainly been tested by time (and haven&#8217;t always passed). But who&#8217;s to say that a leader who traveled a different path isn&#8217;t serious, thoughtful, responsive, and sensitive to the requirements of the art?<\/p>\n<p>While it&#8217;s fun to set up a false dichotomy and to vigorously debate two sides of an argument, it&#8217;s likely more productive to admit that there <i>aren&#8217;t<\/i> two sides at all.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s an article archetype in the press every few years, about how difficult it is to fill the top slot at America&#8217;s leading museums, and about whether boards should search for business leaders or art scholars to plug the hole. This time around, the article is in the Wall Street Journal. In a nutshell: Who [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-750","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/comments?post=750"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/750\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media?parent=750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/categories?post=750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/tags?post=750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}