{"id":467,"date":"2004-03-24T08:22:27","date_gmt":"2004-03-24T16:22:27","guid":{"rendered":"http:\/\/www.artsjournal.com\/artfulmanager\/wp\/2004\/03\/shopping_mall_responses\/"},"modified":"2004-03-24T08:22:27","modified_gmt":"2004-03-24T16:22:27","slug":"shopping_mall_responses","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artfulmanager\/main\/shopping_mall_responses.php","title":{"rendered":"Shopping mall responses"},"content":{"rendered":"<p>My post earlier this week <a href=\"http:\/\/www.artsjournal.com\/artfulmanager\/73783.php\">about shopping malls and performing arts centers<\/a> generated some thoughtful reader response. Richard Layman took me to task for putting only a positive spin on the self-contained &#8216;mall&#8217; concept (as defined by shopping malls and extended by Lincoln Center-style &#8216;culture malls&#8217;). Says Richard:<\/p>\n<blockquote><p><i><br \/>\nYour discussion about Lincoln Center ignored the negative impact its creation had on the surrounding area, based on Jane Jacobs-type principles of urban design.  This (LC) is discussed in a chapter of the book _The Living City_ by Roberta Gratz.  This would go double for the Kennedy Center, which is an isolated mall apart from anything exciting in the city.  Your entry talked about all the &#8216;positives&#8217; of the mall and none of the negatives, particularly the way malls are closed off from the vitality of the streets.  Today&#8217;s shopping center developments are &#8216;lifestyle centers&#8217; and are street-focused, even if the streets are faux.  These days, hardly any malls are being constructed anywhere in the country.  It is the primary reason why department stores are declining.<\/i><\/p><\/blockquote>\n<p>\nLiz Russell pointed to an interesting hybrid in Seattle, that has worked to revitalize a community and a mall with an emphasis on cultural activity. Says Liz:<\/p>\n<blockquote><p><i><br \/>\nOn the eastside of Seattle a local developer has taken what was a deteriorating mall in the middle of a large ethnic community and created a center to that community with live performing arts of ethnic music and poetry, an oversized chess set for the Russian emigrants and pulled in such sensible elements as a local library branch.  Oh, and let\u00b9s not forget good ethnic food as well!  It\u00b9s become a center to the community, one of the few authentic things in an otherwise boring suburb. <a href=\"http:\/\/www.crossroadsbellevue.com\/\">Here\u00b9s a link<\/a>, take a look.<br \/>\n<\/i><\/p><\/blockquote>\n<p>\nTo Richard&#8217;s point, I completely agree. My purpose, in fact, was not to laud and honor the self-contained, inwardly focused shopping malls at all (which are so often just big boxes surrounded by acres of pavement). I thought the co-evolution of these malls with the now traditional multi-venue performing arts center was interesting, and worth a bit more focus.<\/p>\n<p>\nThe note that few such shopping malls are being constructed anymore is also an essential revelation (and one that <a href=\"http:\/\/www.artsjournal.com\/russell\/\">fellow blogger James Russell<\/a> suggested, as well, in a separate e-mail). Perhaps the bigger issue here is that the Lincoln Center model of cultural facilities is <i>still<\/i> being constructed all over the country, despite our broader understanding about social, city, and consumer dynamics.<\/p>\n<p>\nThanks for the notes and thoughts. Positive or negative, they are always appreciated.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My post earlier this week about shopping malls and performing arts centers generated some thoughtful reader response. Richard Layman took me to task for putting only a positive spin on the self-contained &#8216;mall&#8217; concept (as defined by shopping malls and extended by Lincoln Center-style &#8216;culture malls&#8217;). Says Richard: Your discussion about Lincoln Center ignored the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-467","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/comments?post=467"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/467\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media?parent=467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/categories?post=467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/tags?post=467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}