{"id":407,"date":"2003-12-08T08:30:38","date_gmt":"2003-12-08T16:30:38","guid":{"rendered":"http:\/\/www.artsjournal.com\/artfulmanager\/wp\/2003\/12\/owning_culture\/"},"modified":"2003-12-08T08:30:38","modified_gmt":"2003-12-08T16:30:38","slug":"owning_culture","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artfulmanager\/main\/owning_culture.php","title":{"rendered":"Owning Culture"},"content":{"rendered":"<p>The question of who owns creative expressions has been a brain-buster for centuries now. Thomas Jefferson struggled with it in the early days of the United States, as did his lofty peers. The high-speed transmission of the Internet and my cheesy little photocopy machine have just made matters worse.<\/p>\n<p>\nTwo articles rehash the troubles in two very different ways. <a href=\"http:\/\/www.usnews.com\/usnews\/issue\/031215\/misc\/15past.htm\">This piece in U.S. News<\/a> struggles with who owns cultural artifacts&#8230;museums or the countries\/cultures that created them. Meanwhile, <a href=\"http:\/\/www.indyweek.com\/durham\/2003-12-03\/cover.html\">the Durham Independent looks at copyright and the collapse of the public domain<\/a>, suggesting that &#8220;copyright laws are stifling art, but the public domain can save us.&#8221;<\/p>\n<p>\nDespite their different angles, both articles juggle the same issues: How can we respect the creators of expressive works (with exclusive ownership in the case of copyright, and with cultural heritage in the case of museums), but still maintain a rich and vibrant access to those works to inform future expressions?<\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>The question of who owns creative expressions has been a brain-buster for centuries now. Thomas Jefferson struggled with it in the early days of the United States, as did his lofty peers. The high-speed transmission of the Internet and my cheesy little photocopy machine have just made matters worse. Two articles rehash the troubles in [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-407","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/comments?post=407"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/407\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media?parent=407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/categories?post=407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/tags?post=407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}