{"id":397,"date":"2003-11-13T08:26:16","date_gmt":"2003-11-13T16:26:16","guid":{"rendered":"http:\/\/www.artsjournal.com\/artfulmanager\/wp\/2003\/11\/says_you\/"},"modified":"2003-11-13T08:26:16","modified_gmt":"2003-11-13T16:26:16","slug":"says_you","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artfulmanager\/main\/says_you.php","title":{"rendered":"Says you&#8230;"},"content":{"rendered":"<p>If there were a encyclopedia entry on the challenges of high-power nonprofit cultural boards, American Ballet Theater&#8217;s board would certainly be the group photo. Yet another case in point for the uber-board&#8217;s dysfunction comes thanks to Movado watch chairman Gedalio Grinberg, who plucked his company&#8217;s traditionally generous annual support from ABT and <a href=\"http:\/\/www.nytimes.com\/2003\/11\/12\/arts\/dance\/12ABT.html?ex=1069218000&#038;en=c8ca19a10871b8b6&#038;ei=5062&#038;partner=GOOGLE\">gave it to rival New York City Ballet<\/a>. The highly public &#8216;dressing down&#8217; is now fodder for the financial and cultural media (see the <a href=\"http:\/\/news.ft.com\/servlet\/ContentServer?pagename=FT.com\/StoryFT\/FullStory&#038;c=StoryFT&#038;cid=1066565837091\">Financial Times<\/a>, or the <a href=\"http:\/\/www.nj.com\/entertainment\/ledger\/index.ssf?\/base\/entertainment-1\/106870653549440.xml\">New Jersey Star-Ledger<\/a>, or the <a href=\"http:\/\/www.nytimes.com\/2003\/11\/13\/arts\/dance\/13ABT.html?ex=1069304400&#038;en=645ca8bd25c7e8c6&#038;ei=5062&#038;partner=GOOGLE\">today&#8217;s New York Times<\/a>).<\/p>\n<p>\nABT has a proud history of contempt and power struggles among its board, and has a growing stack of disgruntled or discarded Executive Directors to prove it. With a $35 million annual operating budget, there isn&#8217;t much choice but to gather New York&#8217;s rich and powerful to governance. But it also seems a fact of nature that such a gathering will devolve to a sort of high-society &#8216;Lord of the Flies&#8217;.<\/p>\n<p>\nAt issue in this particular dispute is what Grinberg claims to be an increasing financial reliance of ABT on the board&#8217;s new chairman, Lewis S. Ranier, and a decreasing availability of relevant and accurate financial reports. Ranier responded that he has &#8220;nothing but respect&#8221; for Grinberg, and that the loss of the corporate support was a wonderful opportunity for ABT (in my head, I&#8217;m thinking &#8216;Rolex&#8217;).<\/p>\n<p>\nThis one will be worth watching in <a href=\"http:\/\/news.google.com\/news?hl=en&#038;edition=us&#038;q=movado+%22american+ballet%22&#038;btnG=Search+News\">Google News<\/a>, if only for the combination of fascination and disgust that&#8217;s usually reserved for reality TV. The sad part here is that there&#8217;s actually something at stake.<\/p>\n<p>\n","protected":false},"excerpt":{"rendered":"<p>If there were a encyclopedia entry on the challenges of high-power nonprofit cultural boards, American Ballet Theater&#8217;s board would certainly be the group photo. Yet another case in point for the uber-board&#8217;s dysfunction comes thanks to Movado watch chairman Gedalio Grinberg, who plucked his company&#8217;s traditionally generous annual support from ABT and gave it to [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-397","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/comments?post=397"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/397\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media?parent=397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/categories?post=397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/tags?post=397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}