{"id":2282,"date":"2013-06-14T09:10:34","date_gmt":"2013-06-14T13:10:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/artfulmanager\/?p=2282"},"modified":"2013-06-14T09:12:05","modified_gmt":"2013-06-14T13:12:05","slug":"managing-a-mess","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artfulmanager\/main\/managing-a-mess.php","title":{"rendered":"Managing a mess"},"content":{"rendered":"<div id=\"attachment_2283\" style=\"width: 210px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.artsjournal.com\/artfulmanager\/wp\/wp-content\/uploads\/2013\/06\/mess_GSplus.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2283\" class=\"size-full wp-image-2283\" alt=\"Managing a Mess\" src=\"https:\/\/www.artsjournal.com\/artfulmanager\/wp\/wp-content\/uploads\/2013\/06\/mess_GSplus.jpg\" width=\"200\" height=\"200\" srcset=\"https:\/\/www.artsjournal.com\/artfulmanager\/wp\/wp-content\/uploads\/2013\/06\/mess_GSplus.jpg 200w, https:\/\/www.artsjournal.com\/artfulmanager\/wp\/wp-content\/uploads\/2013\/06\/mess_GSplus-150x150.jpg 150w, https:\/\/www.artsjournal.com\/artfulmanager\/wp\/wp-content\/uploads\/2013\/06\/mess_GSplus-70x70.jpg 70w, https:\/\/www.artsjournal.com\/artfulmanager\/wp\/wp-content\/uploads\/2013\/06\/mess_GSplus-110x110.jpg 110w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><p id=\"caption-attachment-2283\" class=\"wp-caption-text\">FLICKR user GS+<\/p><\/div>\n<p>I&#8217;ve been absent without leave from this blog for a while now (sorry about that), in the thick of an ending academic year, a few major project proposals, and the rather intensive self-analysis required of my tenure dossier (now done and out for external review, woot). But as I participate in the <a href=\"http:\/\/convention.artsusa.org\/\">Americans for the Arts conference<\/a>, I wanted to post a new favorite quote I uncovered while trying to clarify my &#8216;teaching philosophy&#8217; for the tenure narrative. Says Russell Ackoff in 1979:<\/p>\n<blockquote><p>Managers are not confronted with problems that are independent of each other, but with dynamic situations that consist of complex systems of changing problems that interact with each other. I call such situations <em>messes<\/em>. Problems are abstractions extracted from messes by analysis&#8230;. Managers do not solve problems; they manage messes.<\/p><\/blockquote>\n<p>The quote, and the tenure deep-dive process, reconfirmed for me that while arts and cultural managers do, indeed, solve problems every day, in brilliant and resourceful ways, they can&#8217;t just solve problems. In fact, they could solve every individual problem in individual ways and still be in a mess, as Ackoff says: &#8220;Because messes are systems of problems, the sum of the optimal solutions to each component problem taken separately is not an optimal solution to the mess.&#8221;<\/p>\n<p>You can never &#8216;fix&#8217; a mess, you can only manage it. And because the problems within it are so interrelated, the nature of the mess is changing all the time &#8212; both because of external forces, and because of the consequences of your problem-solving.<\/p>\n<p>Some may find that depressing. I find it to be a relief, as it helps me understand the role and life of an arts manager, and the task I have in teaching them to manage messes with grace and humility.<\/p>\n<p>[ If you want the full text of Ackoff&#8217;s brilliant article, and if you have JSTOR access, you can <a href=\"http:\/\/www.jstor.org\/stable\/3009290\">find it here<\/a>. ]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve been absent without leave from this blog for a while now (sorry about that), in the thick of an ending academic year, a few major project proposals, and the rather intensive self-analysis required of my tenure dossier (now done and out for external review, woot). But as I participate in the Americans for the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2283,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2282","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/2282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/comments?post=2282"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/2282\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media\/2283"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media?parent=2282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/categories?post=2282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/tags?post=2282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}