{"id":1469,"date":"2011-01-26T08:51:44","date_gmt":"2011-01-26T16:51:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/artfulmanager\/wp\/2011\/01\/back_to_business_models\/"},"modified":"2011-01-26T08:51:44","modified_gmt":"2011-01-26T16:51:44","slug":"back_to_business_models","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artfulmanager\/main\/back_to_business_models.php","title":{"rendered":"Back to business models"},"content":{"rendered":"<p>Diane Ragsdale <a href=\"http:\/\/www.artsjournal.com\/jumper\/2011\/01\/waiting-for-a-new-business-model-for-the-arts\/\">pulls on the &#8216;broken business model&#8217; thread<\/a> in her Jumper blog, and triggers a bunch of interesting comments on the subject. She wonders what, exactly, her colleagues mean by a &#8216;business model,&#8217; and what specifically is broken about it. It&#8217;s an essential conversation, and worth every moment of attention it gets (even when we don&#8217;t know how to focus that attention).<\/p>\n<div><\/div>\n<div>A key challenge in most &#8216;business model&#8217; conversations in the arts is that they almost immediately focus entirely on revenue streams, rather than the larger integrated system of a functional and vital business model (of which revenue is certainly an essential part).<\/p>\n<div><\/div>\n<div>The best attempt to reframe a more coherent and systemic approach to business model discussion, analysis, and design is the book <i><a href=\"http:\/\/www.businessmodelgeneration.com\/\">Business Model Generation<\/a><\/i>, by Alexander Osterwalder and Yves Pigneur. It&#8217;s not specifically about arts organizations, creative enterprise, or nonprofits. But it sets out a useful definition of what a business model is, how it works, and how we can bring innovation and focused attention to its many moving parts.<\/div>\n<div><\/div>\n<div>To start, the book offers a rather useful definition of what a &#8216;business model&#8217; is:<\/div>\n<div><\/div>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\">\n<div>A business model describes the rationale of how an organization creates, delivers, and captures value.<\/div>\n<\/blockquote>\n<div><\/div>\n<div>Then, it describes nine essential elements (building blocks) of any business model &#8212; for-profit, non-profit, whatever &#8212; that work together as a system to create, deliver, and capture value (or not, as the case may be). These are:<\/div>\n<div><\/div>\n<div>\n<ul>\n<li><b>Customer Segments<\/b>:&nbsp;The one or more customer segments the enterprise seeks to serve.<\/li>\n<li><b>Value Propositions<\/b>:&nbsp;The problems the enterprise seeks to solve for those customers, or the needs it seeks to fill.<\/li>\n<li><b>Channels<\/b>: The communication, distribution, and sales channels used to connect customers to those value propositions.<\/li>\n<li><b>Customer Relationships<\/b>: The nature, tone, and intensity of relationships formed between and among customer segments.<\/li>\n<li><b>Revenue Streams<\/b>: The cash or other economic value generated when value propositions successfully connect with customers.<\/li>\n<li><b>Key Resources<\/b>: The assets required to develop and deliver the elements described above.<\/li>\n<li><b>Key Activities<\/b>: The activities required to develop and deliver the elements described above.<\/li>\n<li><b>Key Partnerships<\/b>: The organizations, individuals, or resources outside the organization required to make the system work.<\/li>\n<li><b>Cost Structure<\/b>: The costs generated by the interconnection and execution of all the elements defined above.<\/li>\n<\/ul>\n<div>While the above elements may seem overly focused on generating profit, the authors of the book are quite careful not to do so. They use &#8216;value&#8217; as they key issue, and specifically value delivered to a defined group outside the organization. In my ongoing conversations with arts professionals, I&#8217;ve actually started to float the term &#8216;value model&#8217; rather than &#8216;business model,&#8217; as the latter almost always either derails the conversation into revenue, or disconnects the many for whom &#8216;business&#8217; is an uncomfortable term related to their work. (The jury is still out on whether the alternate phrase is any better than the original. I&#8217;ll keep you posted.)<\/div>\n<div><\/div>\n<div>In a future post, I&#8217;ll explore some of the specific business model patterns identified in the book that seem most compelling to our work in the arts.<\/div>\n<\/div>\n<div><\/div>\n<div>Thanks, Diane, for nudging the conversation along!<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Diane Ragsdale pulls on the &#8216;broken business model&#8217; thread in her Jumper blog, and triggers a bunch of interesting comments on the subject. She wonders what, exactly, her colleagues mean by a &#8216;business model,&#8217; and what specifically is broken about it. It&#8217;s an essential conversation, and worth every moment of attention it gets (even when [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1469","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/1469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/comments?post=1469"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/1469\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media?parent=1469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/categories?post=1469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/tags?post=1469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}