{"id":1378,"date":"2009-12-18T09:44:32","date_gmt":"2009-12-18T17:44:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/artfulmanager\/wp\/2009\/12\/considering_the_arts_administr\/"},"modified":"2009-12-18T09:44:32","modified_gmt":"2009-12-18T17:44:32","slug":"considering_the_arts_administr","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artfulmanager\/main\/considering_the_arts_administr.php","title":{"rendered":"Considering the Arts Administration degree"},"content":{"rendered":"

There are plenty of opinions about the place, purpose, benefit, or consequence of graduate study in Arts Administration. I’m of a certain opinion, as you might guess, since I direct an MBA degree in that very thing. But I’ll be first to claim it’s a complex question.<\/p>\n

To engage the question, Ron Evans invited me to be a guest panelist for his National Arts Marketing Project NAMPRadio podcast, which is now on-line<\/a>. Give a listen.<\/p>\n

If you haven’t got time to listen all the way through, here’s the gist: Graduate study in Arts Administration can be a powerful learning\/networking\/advancing experience when it fits what you need, and you find the program that fits how you learn. It’s not the only path to a successful career in arts and cultural management. But it’s a path with particular utility for people who want to rethink and reframe the way the business works.<\/p>\n

Thanks to Ron and his co-panelists Matt Campbell and Maris Smith for the opportunity to talk it through.<\/p>\n","protected":false},"excerpt":{"rendered":"

There are plenty of opinions about the place, purpose, benefit, or consequence of graduate study in Arts Administration. I’m of a certain opinion, as you might guess, since I direct an MBA degree in that very thing. But I’ll be first to claim it’s a complex question. To engage the question, Ron Evans invited me […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1378","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/1378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/comments?post=1378"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/1378\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media?parent=1378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/categories?post=1378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/tags?post=1378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}