{"id":1275,"date":"2009-03-19T10:37:35","date_gmt":"2009-03-19T17:37:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/artfulmanager\/wp\/2009\/03\/remix_remash_remarkable\/"},"modified":"2009-03-19T10:37:35","modified_gmt":"2009-03-19T17:37:35","slug":"remix_remash_remarkable","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artfulmanager\/main\/remix_remash_remarkable.php","title":{"rendered":"Remix, remash, remarkable"},"content":{"rendered":"

If you’re wondering whether YouTube and its brethren are artistic tools in addition to being distribution tools, take a look at the work of Kutiman<\/a>, born Ophir Kutiel. His on-line video project, ThruYou<\/a>, clips and cuts existing YouTube videos into entirely new works of art. Says Merlin Mann<\/a> to those in the music industry preparing litigation:<\/p>\n

\n

…this is what your new Elvis looks like, gang. And, eventually somebody<\/em>
\nwill figure out (and publicly admit) that Kutiman, and any number of
\nhis peers on the “To-Sue” list, should be passed from Legal down to
\nA&R.<\/p>\n

Everybody knows the business has moved from legal<\/em> to binary<\/em>
\nfiles. The question now is how much more lead time old media companies
\nand other IP-obsessives can afford to burn by pretending it’s
\notherwise.<\/p>\n<\/blockquote>\n

Arts managers, funders, organizations, and enthusiasts…are you ready for this?<\/p>\n

<\/param><\/param><\/param><\/embed><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"

If you’re wondering whether YouTube and its brethren are artistic tools in addition to being distribution tools, take a look at the work of Kutiman, born Ophir Kutiel. His on-line video project, ThruYou, clips and cuts existing YouTube videos into entirely new works of art. Says Merlin Mann to those in the music industry preparing […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1275","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/1275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/comments?post=1275"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/1275\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media?parent=1275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/categories?post=1275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/tags?post=1275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}