{"id":1121,"date":"2008-02-05T09:10:07","date_gmt":"2008-02-05T17:10:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/artfulmanager\/wp\/2008\/02\/whats_authentic\/"},"modified":"2008-02-05T09:10:07","modified_gmt":"2008-02-05T17:10:07","slug":"whats_authentic","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/artfulmanager\/main\/whats_authentic.php","title":{"rendered":"What&#8217;s &#8221;authentic&#8221;?"},"content":{"rendered":"<p>Some interesting threads about &#8221;authenticity&#8221; are tracking around the web, many in response to the new <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/1591391458\/bolzcenter-20\">Pine &amp; Gilmore book on the subject<\/a> (haven&#8217;t read it yet, but it&#8217;s in &#8221;the stack&#8221;). Included in the thread are posts by <a href=\"http:\/\/www.cultureby.com\/trilogy\/2008\/01\/brand-multiplic.html\">Grant McCracken<\/a>, then <a href=\"http:\/\/www.convergenceculture.org\/weblog\/2008\/01\/authenticity_and_lindas_donuts.php\">Sam Ford<\/a>, and then <a href=\"http:\/\/www.convergenceculture.org\/weblog\/2008\/02\/authenticity_grant_mccracken_a.php\">Sam Ford again<\/a>.<\/p>\n<p>At issue is what we all mean by &#8221;authentic,&#8221; which seems to be a placeholder for lots of different variables &#8212; clarity of purpose, lack of pretense, sense of genuine care and attention, endurance over time.<\/p>\n<p>McCracken&#8217;s original post was in response to one reader who blasted Unilever for promoting their &#8221;<a href=\"http:\/\/www.campaignforrealbeauty.com\/home.asp\">campaign for real beauty<\/a>&#8221; through Dove soap, while also blatantly objectifying women with their &#8221;<a href=\"http:\/\/www.theaxeeffect.com\/\">Axe effect<\/a>&#8221; campaign for young men. The assumption was that such conflicting messages made both &#8221;inauthentic.&#8221;<\/p>\n<p>Says McCracken, get over it:<\/p>\n<blockquote><p><i><br \/>\nThis is precisely what is wrong with the authenticity argument now being promoted by Gilmore and Pine.  In fact, brands have no native voice.  They may have a brand heritage.  Some brand meanings may come more easily than others.  But there is nothing a brand must say, and nothing, within limits, it mustn&#8217;t say.  Brands are designed to be exemplars of responsiveness.  This means we may not insist on what they &#8220;really&#8221; mean, or what they &#8220;must&#8221; say.   The very point of the exercise, as this is carried forward by branding, marketing, capitalism, and a dynamic society, hangs in the balance.<br \/>\n<\/i><\/p><\/blockquote>\n<p>Since arts organizations are often perceived (or perceive themselves) as havens of authentic expression, it might be worth a moment to define, exactly, what that means.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some interesting threads about &#8221;authenticity&#8221; are tracking around the web, many in response to the new Pine &amp; Gilmore book on the subject (haven&#8217;t read it yet, but it&#8217;s in &#8221;the stack&#8221;). Included in the thread are posts by Grant McCracken, then Sam Ford, and then Sam Ford again. At issue is what we all [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1121","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/1121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/comments?post=1121"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/posts\/1121\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/media?parent=1121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/categories?post=1121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/artfulmanager\/wp-json\/wp\/v2\/tags?post=1121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}