{"id":983,"date":"2009-08-30T15:03:49","date_gmt":"2009-08-30T22:03:49","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/08\/glass_houses_stones_unwelcome\/"},"modified":"2009-08-30T15:03:49","modified_gmt":"2009-08-30T22:03:49","slug":"glass_houses_stones_unwelcome","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/08\/glass_houses_stones_unwelcome.html","title":{"rendered":"Glass houses – from solace to confinement"},"content":{"rendered":"

Therman Statom<\/a> had the glass-house-as-sculpture field to himself, beginning in the 1970s.<\/p>\n

\"thermanstatom1.jpg\"<\/a><\/span>\"thermanstatom2.jpg\"<\/span><\/p>\n

<\/div>\n
\n

In the 1990s, Louise Bourgeois muscled her way in.<\/p>\n

(Cell (Glass spheres and hands)<\/i><\/a>, 1990-1993)<\/p>\n

\"louisebourgeoisglas.jpg\"<\/span>Statom’s houses are a solace and Bourgeois’ suitable for involuntary confinement. Somewhere between these polarities are all later entries into what’s becoming a crowded field.<\/p>\n

Deb Jones<\/a> – (I’m being followed by a moon shadow<\/a><\/i>.)<\/p>\n

\"debjonesglash.jpg\"<\/span>
Giles Bettison<\/a> – House as a consumer product. Your life in your purse.<\/p>\n

\"gilesbettisonglh.jpg\"<\/span>
Jane Bruce<\/a> – Down the hatch.<\/p>\n

\"janebruceglh.jpg\"<\/span><\/div>\n

Rob Fisher<\/a> – For those who prefer to hide as they wait for the bus.<\/p>\n

\"robfishergho.jpg\"<\/span>Rik Allen<\/a> – Your portable escape plan; there’s a hell of a good universe next door<\/i><\/a>.<\/p>\n

\"rikallenglh.jpg\"<\/span><\/div>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Therman Statom had the glass-house-as-sculpture field to himself, beginning in the 1970s. In the 1990s, Louise Bourgeois muscled her way in. (Cell (Glass spheres and hands), 1990-1993) Statom’s houses are a solace and Bourgeois’ suitable for involuntary confinement. Somewhere between these polarities are all later entries into what’s becoming a crowded field. Deb Jones – […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-983","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=983"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/983\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}