{"id":978,"date":"2009-08-28T15:26:58","date_gmt":"2009-08-28T22:26:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/08\/the_failures_of_americas_best_1\/"},"modified":"2009-08-28T15:26:58","modified_gmt":"2009-08-28T22:26:58","slug":"the_failures_of_americas_best_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/08\/the_failures_of_americas_best_1.html","title":{"rendered":"The failure of America&#8217;s Best Dance Crew"},"content":{"rendered":"<p>My capacity to appreciate arts elimination shows is ever increasing. I catch every episode of <i>Project Runway<\/i>, <i>So You Think You Can Dance<\/i> and <i>American Idol<\/i>. I hadn&#8217;t seen <a href=\"http:\/\/www.mtv.com\/ontv\/dyn\/dance_crew\/series.jhtml\"><i>America&#8217;s Best Dance Crew<\/i><\/a> till this season and only tuned in because Massive Monkees is on it. <\/p>\n<p>In<br \/>\nSeattle, MM is hard to miss. I&#8217;ve seen its members in small clubs and large<br \/>\nstadiums, during competitions and solitary star turns, but I&#8217;ve never<br \/>\nseen them so flat as they are on <i>America&#8217;s Best Dance Crew<\/i>.<\/p>\n<p>I<br \/>\nblame the show. Its tight, brassy format kills what&#8217;s best in its subject. Given the freedom to set its own agenda, a great crew will reveal an ability to expand on a moment and keep uncovering different<br \/>\naspects of solitary and group moves within a circle of discerning<br \/>\nadmirers.<\/p>\n<p>I like Afro Borike and Vogue Evolution or at least I<br \/>\nthink I do. I&#8217;d love to see them in a different setting. Even so, I<br \/>\nhope MM takes it all but won&#8217;t be following them to the finish line, as<br \/>\nthis show too painful to watch. It proves it&#8217;s possible to ruin a great<br \/>\nthing by wrapping it in shoddy packaging and imposing&nbsp; truly goofy challenges. I like the judges, especially<br \/>\nShane Sparks, but they too can&#8217;t breathe inside this show&#8217;s stale air.<br \/>\nDance crews deserve better. <\/p>\n<p>Check <a href=\"http:\/\/www.youtube.com\/watch?v=v04zFuNo8ek\">this<\/a> for a sampling of the real deal. The movie wasn&#8217;t so hot, but this trailer is thrilling.<\/p>\n<p>Massive Monkees&#8217; Jerome Aparis in happier times. Photo, Josh Trujillo.<\/p>\n<div id=\"gallCredit\"><\/div>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"massivemonkeespi.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/massivemonkeespi.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"268\" \/><\/span> <\/p>\n<div>Also, as a b-boying photo documentary, nothing beats Charles Peterson&#8217;s <i><a href=\"http:\/\/www.amazon.com\/Cypher-Charles-Peterson\/dp\/product-description\/1576874567\">Cypher<\/a><\/i>.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>My capacity to appreciate arts elimination shows is ever increasing. I catch every episode of Project Runway, So You Think You Can Dance and American Idol. I hadn&#8217;t seen America&#8217;s Best Dance Crew till this season and only tuned in because Massive Monkees is on it. In Seattle, MM is hard to miss. I&#8217;ve seen [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-978","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=978"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/978\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=978"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}