{"id":973,"date":"2009-08-27T17:21:03","date_gmt":"2009-08-28T00:21:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/08\/armed_response_and_unnatural_g_1\/"},"modified":"2009-08-27T17:21:03","modified_gmt":"2009-08-28T00:21:03","slug":"armed_response_and_unnatural_g_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/08\/armed_response_and_unnatural_g_1.html","title":{"rendered":"Armed response and unnatural green"},"content":{"rendered":"<p>During a drought in Orange County in the 1990s, there were wide dead<br \/>\nlawns spray-painted green and signs nailed to trees saying, &#8220;Armed<br \/>\nResponse.&#8221; Some people were pretty successful with their faux-nature<br \/>\nplots, but others upped the yellow and threw in a bit of neon for a<br \/>\nprobably unintentional Flash-Gordon-on-the-moon look. Nearly 20 years<br \/>\nlater, the latter is the shade increasingly showing up in landscapes.<\/p>\n<p>(<a href=\"http:\/\/www.gregkucera.com\/wheeler.htm\">Alice Wheeler<\/a>, <i>Homeless Camp, Seattle<\/i>)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"alicewheelergreen.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/alicewheelergreen.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"350\" height=\"234\" \/><\/span><a href=\"http:\/\/www.nicoleklagsbrun.com\/kulok\/kulok.html\">Barney Kulok<\/a>, <i>Crescent Street, Queens, New York<\/i><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"barneykuloktree.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/barneykuloktree.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"321\" \/><\/span><a href=\"http:\/\/www.nicoleklagsbrun.com\/johnson\/johnson.html\">Ezra Johnson<\/a>, still from <i>The Time of Tall Statues<\/i><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"ezrajohnsontree.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/ezrajohnsontree.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"401\" height=\"301\" \/><\/span><a href=\"http:\/\/www.sedersgallery.com\/Artists\/021\/21_Oils.htm\">Elizabeth Sandvig<\/a>, <i>Landscape in Spring with Owl<\/i><\/p>\n<div><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"elizabethsandviggreen.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/elizabethsandviggreen.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"401\" height=\"232\" \/><\/span><a href=\"http:\/\/www.jamesharrisgallery.com\/Artists\/Adam%20Sorensen\/sorensen.html\">Adam Sorensen<\/a>, <i>Banks<\/i><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"adamsorsenland.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/adamsorsenland.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"365\" \/><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>During a drought in Orange County in the 1990s, there were wide dead lawns spray-painted green and signs nailed to trees saying, &#8220;Armed Response.&#8221; Some people were pretty successful with their faux-nature plots, but others upped the yellow and threw in a bit of neon for a probably unintentional Flash-Gordon-on-the-moon look. Nearly 20 years later, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-973","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=973"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/973\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}