{"id":967,"date":"2009-08-26T13:17:11","date_gmt":"2009-08-26T20:17:11","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/08\/robert_zverina_-_three-minute\/"},"modified":"2009-08-26T13:17:11","modified_gmt":"2009-08-26T20:17:11","slug":"robert_zverina_-_three-minute","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/08\/robert_zverina_-_three-minute.html","title":{"rendered":"Robert Zverina &#8211; three-minute pocket videos"},"content":{"rendered":"<p>A few years ago, Seattle&#8217;s <a href=\"http:\/\/www.zverina.com\/loco.htm\">Robert Zverina<\/a> papered the floor, ceiling<br \/>\nand walls of a small space with snapshots of his life. Walking inside was<br \/>\nlike walking into Zverina&#8217;s brain and looking around.<\/p>\n<p>It was a great place to be. For Zverina, reality is an exalted state. Because he focuses his praises of it with the deceptively casual force of his economy, he makes videos the way <a href=\"http:\/\/www.poets.org\/poet.php\/prmPID\/238\">John Ashbery <\/a><strike>Ashberry<\/strike> writes poems: free associating within a theme, one image suggesting a variation on the next. <\/p>\n<p>Six of his three-minute pocket videos <a href=\"http:\/\/zverina.blip.tv\/\">here<\/a>, funded by <a href=\"http:\/\/www.4culture.org\/\">4Culture<\/a>. Below, three-<strike>mind<\/strike> minute <i>Bird<\/i>. The blackouts serve as line breaks. <\/p>\n<p><embed src=\"http:\/\/blip.tv\/play\/AdqSRZGbCQ\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"400\" height=\"355\"> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>A few years ago, Seattle&#8217;s Robert Zverina papered the floor, ceiling and walls of a small space with snapshots of his life. Walking inside was like walking into Zverina&#8217;s brain and looking around. It was a great place to be. For Zverina, reality is an exalted state. Because he focuses his praises of it with [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-967","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=967"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/967\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}