{"id":916,"date":"2009-08-14T05:00:00","date_gmt":"2009-08-14T12:00:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/08\/artists_dissatisfied_with_the\/"},"modified":"2009-08-14T05:00:00","modified_gmt":"2009-08-14T12:00:00","slug":"artists_dissatisfied_with_the","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/08\/artists_dissatisfied_with_the.html","title":{"rendered":"Artists dissatisfied with the slow pace of evolution"},"content":{"rendered":"<p><a href=\"http:\/\/www.daniellee.com\/\">Daniel Lee<\/a> looks back and forward, on a continuum. <\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"danielleeevolve.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/danielleeevolve.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"450\" height=\"140\" \/><\/span><a href=\"http:\/\/www.nancyburson.com\/\">Nancy Burson<\/a> began making composites in the early 1980s. (Thanks, Jen)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"nancybursoncompos.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/nancybursoncompos.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"355\" height=\"387\" \/><\/span>The rise of Photoshop made the mix and match of features between individuals and species easy. Anonymous designers at Converse do this sort of thing as well as anybody. (<a href=\"http:\/\/www.designboom.com\/weblog\/cat\/13\/view\/7242\/converse-animal-hybrids.html\">Design Boom<\/a> via <a href=\"http:\/\/thisisnthappiness.com\/page\/3\">This Isn&#8217;t Happiness<\/a>.)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"conversemutate.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/conversemutate.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"401\" height=\"374\" \/><\/span>Painters tend to be less slick. <\/p>\n<p><a href=\"http:\/\/www.troygua.com\/index.html\">Troy Gua<\/a>, <i>The Boy King of Pop<\/i> (Tut and Michael Jackson) <\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"troyguamjackson.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/troyguamjackson.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"290\" height=\"293\" \/><\/span><a href=\"http:\/\/www.gregkucera.com\/oropallo.htm\">Deborah Oropallo<\/a> blurs male\/female, vintage and now.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"deborahoropallo.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/deborahoropallo.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"350\" height=\"397\" \/><\/span><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/2009\/07\/eric-yahnker-a-dog-walked-into.html\">Eric Yahnker<\/a> updates Cubism with a shaggy dog story.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"ericyahnkerdog.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/ericyahnkerdog.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"350\" height=\"238\" \/><\/span><a href=\"http:\/\/www.alicetippit.com\/index.html\">Alice Tippit<\/a>&#8216;s animals look good coming and going.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"alicetippithorse.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/alicetippithorse.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"326\" \/><\/span><a href=\"http:\/\/www.yenimao.com\/I%20againt%20I.html\">Yeni Mao<\/a> prefers an electronic look:<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"yenimaohorse.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/yenimaohorse.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"450\" height=\"323\" \/><\/span><a href=\"http:\/\/dawncerny.com\/index.html\">Dawn Cerny<\/a>&#8216;s portrait of Mary Todd Lincoln shows her youth under her old age.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"dawncernymslincoln.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/dawncernymslincoln.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"288\" height=\"345\" \/><\/span>I love <a href=\"http:\/\/www.sharonshapiro.com\/\">Sharon Shapiro<\/a>&#8216;s collages, and not because they&#8217;re perfect. Like her subjects, they are rough drafts, with the tattered edges of their dreams showing.<\/p>\n<p>Weasel boy\/girl can&#8217;t wait to grow up, to lose oddball status in the anonymity of adulthood.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"sshapriomutate.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/sshapriomutate.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"450\" height=\"685\" \/><\/span>If food grew on the ceiling&#8230;.(<a href=\"http:\/\/www.airdeparis.com\/holler\/2000\/66.htm\">Carsten Holler<\/a>)<\/p>\n<div><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"carstenhollermush.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/carstenhollermush.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"266\" \/><\/span><br \/>\n<br \/>Science fiction imagines hybrid animals we can send to war in our stead. <a href=\"http:\/\/trophysoldiers.com\/\">Bryon King<\/a>&#8216;s version pops that bubble. Titled <i>Trophy Soldiers<\/i>, his series of deer-head drawings is a memorial to the fallen. Even when his figures are holding rifles, they&#8217;re the target.<br \/><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"byronkingtrophy.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/byronkingtrophy.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"416\" height=\"567\" \/><\/span><\/div>\n<div><\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Daniel Lee looks back and forward, on a continuum. Nancy Burson began making composites in the early 1980s. (Thanks, Jen) The rise of Photoshop made the mix and match of features between individuals and species easy. Anonymous designers at Converse do this sort of thing as well as anybody. (Design Boom via This Isn&#8217;t Happiness.) [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-916","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=916"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/916\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}