{"id":909,"date":"2009-08-12T21:22:56","date_gmt":"2009-08-13T04:22:56","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/08\/eroyn_franklin_-_glorious_days\/"},"modified":"2009-08-12T21:22:56","modified_gmt":"2009-08-13T04:22:56","slug":"eroyn_franklin_-_glorious_days","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/08\/eroyn_franklin_-_glorious_days.html","title":{"rendered":"Eroyn Franklin &#8211; Glorious Day @ Nothing Factory"},"content":{"rendered":"<p><a href=\"http:\/\/eroynfranklin.com\/\">Eroyn Franklin<\/a> debuts her new book of hand-cut images and text, <a href=\"http:\/\/eroynfranklin.com\/2007\/comictragic\/tragic.html\"><i>Another Glorious Day At The Nothing Factory<\/i><\/a>, at <a href=\"http:\/\/www.fantagraphics.com\/index.php?Itemid=126&amp;id=55&amp;option=com_content&amp;task=view\">Fantagraphics Bookstore &amp; Gallery<\/a> Aug. 22, 6-9 p.m. <\/p>\n<p>As the title suggests, it&#8217;s a Northwest memoir.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"eroynfranklintrip.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/eroynfranklintrip.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"262\" \/><\/span><font size=\"2\" face=\"Zapf Chancery, Comic Sans MS, cursive\">ON FAMILY<br \/>\nROAD TRIPS WHEN I WAS LITTLE I LAID DOWN IN THE BACK SEAT OF THE<br \/>\nMINIVAN.&nbsp; I WOULD ARRANGE MY HEAD SO THAT WHEN I LOOKED OUT THE WINDOW<br \/>\nALL I COULD SEE WERE CLOUDS.&nbsp; I WOULD PRETEND WE WERE FLYING AND THAT<br \/>\nTHERE WAS NO SUCH THING AS LAND.&nbsp; WHENEVER A TALL TREE OR A TELEPHONE<br \/>\nPOLE WOULD CAREEN INTO MY LINE OF SIGHT I WOULD CLOSE MY EYES AND<br \/>\nSQUEEZE OUT ITS MEMORY, THE MEMORY OF SOIL. <\/font><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"eroynfranklinlove.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/eroynfranklinlove.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"266\" \/><\/span><font size=\"2\" face=\"Zapf Chancery, Comic Sans MS, cursive\">HE WAS BORN<br \/>\nON THE DARKEST DAY OF THE YEAR.&nbsp; A FACT THAT SEEMED TO COINCIDE WITH<br \/>\nHIS DEMEANOR.&nbsp; I LOVED HIS SADNESS, NOT THE MAKING OF HIS SORROW, BUT<br \/>\nITS AUTUMNAL&nbsp; KINDRED QUALITY.&nbsp; ITS SUBTLE PERVASIVENESS SO SIMILARLY<br \/>\nALIGNED WITH MINE.&nbsp; HE WAS LIKE A DOLEFUL GRANDFATHER WHOSE MOMENTS<br \/>\nCOULD BE BRIGHTENED SO HANDSOMELY BY HIS BROOD.&nbsp; I SO RARELY GOT TO<br \/>\nDRAW THIS OUT IN HIM, NOT ON HIS FAULT, BUT BECAUSE I WAS LAZY WITH OUR<br \/>\nLOVE.&nbsp; LAZY BEING THE LEAST BAD THING I CAN SAY ABOUT MY BEHAVIOR. <\/font><\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Eroyn Franklin debuts her new book of hand-cut images and text, Another Glorious Day At The Nothing Factory, at Fantagraphics Bookstore &amp; Gallery Aug. 22, 6-9 p.m. As the title suggests, it&#8217;s a Northwest memoir. ON FAMILY ROAD TRIPS WHEN I WAS LITTLE I LAID DOWN IN THE BACK SEAT OF THE MINIVAN.&nbsp; I WOULD [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-909","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=909"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/909\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}