{"id":907,"date":"2009-08-12T19:26:39","date_gmt":"2009-08-13T02:26:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/08\/ellen_ziegler_shares_the_plint\/"},"modified":"2009-08-12T19:26:39","modified_gmt":"2009-08-13T02:26:39","slug":"ellen_ziegler_shares_the_plint","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/08\/ellen_ziegler_shares_the_plint.html","title":{"rendered":"Ellen Ziegler shares the Plinth"},"content":{"rendered":"<p>Anthony Gormley&#8217;s fascinating Fourth Plinth project (live on the link <a href=\"http:\/\/www.oneandother.co.uk\/\"><i>One &amp; Other<\/i><\/a>) features 2,400 randomly selected volunteers who each take the pedestal for an hour to do what they want: eat, lecture, dance, sunbathe, sit on a (portable) toilet, text friends, play music, strip, jog, paint, draw, read, clip their toenails, wave to friends, giggle, sing and do yoga. I saw a woman who yelled at anyone who looked at her, feeling, she said, stalked.<\/p>\n<p>Asked another, rhetorically:<\/p>\n<blockquote><p>What am I symbolizing? Artist? Sex machine? Muppet?<\/p><\/blockquote>\n<p>Seattle&#8217;s <a href=\"http:\/\/www.ellenziegler.com\/\">Ellen Ziegler<\/a> used her hour to enlarge the idea of the project. Holding a mirror, she directed it at those gazing up at her. In looking at her, they were looking at themselves. <\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"ellenziglermirror5.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/ellenziglermirror5.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"450\" height=\"282\" \/><\/span>Watch Ziegler on the Plinth <a href=\"http:\/\/www.oneandother.co.uk\/participants\/ellenziegler\">here<\/a>. (The tape starts with a minute or two of the final performance of toilet guy wearing a kind of ribbon-like diaper.)<\/p>\n<p>Participating (including travel expenses) cost her about $2,000, which she didn&#8217;t have.<\/p>\n<p>Wrote Ziegler: <\/p>\n<blockquote><p>More than 120 donors contributed almost $2000 toward my travel and expenses, mostly in $10 donations. Why? I believe it&#8217;s because of the <b>Quilting Bee Theory of Artist Funding<\/b>. As artists, we need short-term funding from time to time. You give me $10 when I need it now, then when you have an urgent funding need, I&#8217;ll give you $10.<br \/>\nCommunity support is essential in these times. I&#8217;m thrilled that it worked, not only for my sake, but to know that it&#8217;s a method to support each other, just like a quilting bee or a barn raising.&nbsp;<br \/>\n<\/p><\/blockquote>\n<p>Following is a (long) list of donors to date: <\/p>\n<div><\/div>\n<p><!--more--><\/p>\n<blockquote><p>Ernie Ach<br \/>\nRosanna Albertini and Peter Kirby<br \/>\nDavid Anders<br \/>\nRobert Anger<br \/>\nJoe Ayres<br \/>\nJesi Asagi<br \/>\nShoshana Avree<br \/>\nClaudia Bach<br \/>\nCarol Bailey<br \/>\nScott Balsam<br \/>\nAnne Baumgartner<br \/>\nAnne Blackburn<br \/>\nSuzanne Beal<br \/>\nPaul Berger<br \/>\nJohn Boylan<br \/>\nBarbara Breckenfeld<br \/>\nLisa Buchanan<br \/>\nJoy Brown<br \/>\nCarole Burger<br \/>\nDenise Carillo<br \/>\nSheila Coppola<br \/>\nTom Collicott<br \/>\nMaren Costa and Pete Hilgendorf<br \/>\nJenny Craig<br \/>\nPamela Crawford<br \/>\nLinda Davidson<br \/>\nSedora DeBondt<br \/>\nLanny Devuono<br \/>\nBeth Dunn<br \/>\nEric Elliott<br \/>\nDeborah Fant<br \/>\nBrittany Faulkner<br \/>\nAnne Focke<br \/>\nAnn Gardner<br \/>\nJustin Gibbens and Renee Adams<br \/>\nTim Girvin<br \/>\nLayne Goldsmith<br \/>\nMandy Greer<br \/>\nRick Groman<br \/>\nAbigail Guay<br \/>\nDeborah Gunther<br \/>\nNancy Guppy<br \/>\nMiriam Hailparn<br \/>\nMike Hascall<br \/>\nVic Haven and Dave Lipe<br \/>\nLynn Hays<br \/>\nThom Heileson<br \/>\nDavid Hewitt and Marcia Wagoner<br \/>\nDawn Holladay<br \/>\nAnna Marie Hong<br \/>\nAlixe Hugret<br \/>\nEtsuko Ichikawa<br \/>\nRachel Illingworth<br \/>\nEva Isaksen<br \/>\nLouis Jaffe<br \/>\nLinda Jassim<br \/>\nShawn Jezerinac<br \/>\nCat Jobes<br \/>\nMachelle Jones<br \/>\nRedmond Johnston<br \/>\nLorna Jordan<br \/>\nVictoria Josslin<br \/>\nShaun Kardinal<br \/>\nCal Kinnear<br \/>\nAmanda Knowles<br \/>\nAlida Latham<br \/>\nCharles Laughlin<br \/>\nDeborah Lawrence and Mike Derry<br \/>\nMargaret Livingston<br \/>\nShanti Loustanou<br \/>\nKelly Lyles<br \/>\nJack Mackie<br \/>\nJanet Madill<br \/>\nRachael Mamane<br \/>\nAllison Manch<br \/>\nPam McClusky<br \/>\nTim McNeilly<br \/>\nDeborah Mersky<br \/>\nIris Milligan<br \/>\nWill Morgan<br \/>\nNina Moser and Charlie Rathbun<br \/>\nRachel McGovern<br \/>\nDeborah Mersky<br \/>\nWilliam Morgan<br \/>\nSaya Moriyasu<br \/>\nBea Nettles<br \/>\nMelissa Noble<br \/>\nRachel Norton<br \/>\nNicholas Nyland<br \/>\nDeborah Paine<br \/>\nMaryann Peters<br \/>\nLucy Pond<br \/>\nEd Posnak<br \/>\nDel Rey<br \/>\nTeresa Redden<br \/>\nMielle Riggie<br \/>\nArthur Rostoker<br \/>\nJoan Stuart Ross<br \/>\nKim Secunda<br \/>\nJune Sekiguchi<br \/>\nBarbara Shaiman<br \/>\nCharmaine Slaven<br \/>\nHarriet Soares<br \/>\nMichael Spafford and Elizabeth Sandvig<br \/>\nMargaret Stephens and Rodney Malham<br \/>\nKaty Stone<br \/>\nDanny Talpers<br \/>\nMolly Tenenbaum<br \/>\nGillian Theobald<br \/>\nJoanna Thomas<br \/>\nFran Thompson<br \/>\nAnne Traver<br \/>\nCarol Trenga<br \/>\nCathryn Vandenbrink<br \/>\nRichard Worthington and D. Lisa West<br \/>\nBryan Yeck<br \/>\nBrandon Zebold<br \/>\nJennifer Zeyl<br \/>\nSusan Zoccola<br \/>\nAnd a HUGE thank you to Don Aupperle, who had no idea what he was<br \/>\ngetting into when he volunteered to help build the big mirror<br \/>\ncontraption&#8230;<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Anthony Gormley&#8217;s fascinating Fourth Plinth project (live on the link One &amp; Other) features 2,400 randomly selected volunteers who each take the pedestal for an hour to do what they want: eat, lecture, dance, sunbathe, sit on a (portable) toilet, text friends, play music, strip, jog, paint, draw, read, clip their toenails, wave to friends, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-907","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=907"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/907\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}