{"id":877,"date":"2009-08-05T13:26:58","date_gmt":"2009-08-05T20:26:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/08\/new_director_at_the_frye\/"},"modified":"2009-08-05T13:26:58","modified_gmt":"2009-08-05T20:26:58","slug":"new_director_at_the_frye","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/08\/new_director_at_the_frye.html","title":{"rendered":"New director at the Frye"},"content":{"rendered":"<p>Jo-Anne Birnie Danzker takes over at the <a href=\"http:\/\/fryemuseum.org\/\">Frye<\/a> Oct. 1, replacing Midge Bowman, who served as director since 2004.&nbsp; <\/p>\n<p>From the press release:<\/p>\n<blockquote><p>Born in Brisbane, Australia, Birnie Danzker lived in the Pacific<br \/>\nNorthwest from 1977 to 1991, during which time she served as curator<br \/>\nand then director of the Vancouver Art Gallery. Birnie Danzker left<br \/>\nVancouver for Munich, where she directed the Museum Villa Stuck for 15<br \/>\nyears&#8230;Birnie Danzker has curated<br \/>\nexhibitions &#8230;at the International Center of<br \/>\nPhotography in New York (1980), Chicago&#8217;s Museum of Contemporary Art<br \/>\nand P.S. 1 &#8212; MOMA (2002), and the Solomon R. Guggenheim Museum (2005).<br \/>\nNo stranger to Seattle or the Frye, in 2008 Birnie Danzker undertook<br \/>\nextensive research on the history of the Frye&#8217;s Founding Collection curated <i>The Munich Secession and America and Transatlantic:<br \/>\nAmerican Artists in Germany<\/i>, which opened at the Frye in January 2009.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Jo-Anne Birnie Danzker takes over at the Frye Oct. 1, replacing Midge Bowman, who served as director since 2004.&nbsp; From the press release: Born in Brisbane, Australia, Birnie Danzker lived in the Pacific Northwest from 1977 to 1991, during which time she served as curator and then director of the Vancouver Art Gallery. Birnie Danzker [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-877","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=877"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/877\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}