{"id":856,"date":"2009-07-28T05:00:00","date_gmt":"2009-07-28T12:00:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/07\/christ_in_contemporary_art\/"},"modified":"2009-07-28T05:00:00","modified_gmt":"2009-07-28T12:00:00","slug":"christ_in_contemporary_art","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/07\/christ_in_contemporary_art.html","title":{"rendered":"Christianity (conscious and unconscious) in contemporary art"},"content":{"rendered":"<p>Dominated by the Christianity for more than 1,500 years, art in the West continues to be seeded with its signs and symbols. They exert a magnetic pull over imagery that may or may not have been created to declare them.<\/p>\n<p>Lauren Grossman&#8217;s use is intentional, if not reverential. (Below, <i>Clear Christ<\/i> and <i>Behold<\/i>, via <a href=\"http:\/\/www.howardhouse.net\/current\/index.html\">Howard House<\/a>)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"christgrossmanclear.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christgrossmanclear.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"250\" height=\"571\" \/><\/span><br \/><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"christgrossmanlamb.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christgrossmanlamb.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"267\" \/><\/span>From his literal youth, Michael Lucero from 1978, via <a href=\"http:\/\/www.howardhouse.net\/\">Howard House<\/a>:<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"christlucero.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christlucero.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"333\" height=\"512\" \/><\/span><a href=\"http:\/\/www.saatchi-gallery.co.uk\/artists\/artpages\/folkert_dejong_dance_5.htm\">Folkert De Jong<\/a>&#8216;s could be accidental, but it&#8217;s real in any case, a crucified figure who has become his cross.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"christfolkertdejong.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christfolkertdejong.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"510\" \/><\/span>Extended arms can be enough. (<a href=\"http:\/\/cut-c.tumblr.com\/post\/112569447\/damien-hirst-anatomical-representation-at-street\">Damien Hirst<\/a>)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"christdamienhirst.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christdamienhirst.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"386\" height=\"550\" \/><\/span>A body made of Duct Tape slumping as if dead is a descent from the Cross. (<a href=\"http:\/\/web.mac.com\/danwebb1\/danwebbart.com\/Portfolio.html#34\">Dan Webb<\/a>, <i>Mr. Fixit <\/i>)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"danwebbmrfixit.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/danwebbmrfixit.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"253\" height=\"434\" \/><\/span>Speaking of a descent from the Cross: (Tom Otterness, <a href=\"http:\/\/www.artnet.com\/magazineus\/features\/polsky\/make-money-art-market7-27-09_detail.asp?picnum=3\">Untitled<\/a>)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"christtomotterness.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christtomotterness.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"343\" height=\"408\" \/><\/span>Another descent. (<a href=\"http:\/\/www.lindahodgesgallery.com\/exhibit\/exhibit3.html\">Mark Kang O&#8217;Higgins<\/a>)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"christohiggins.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christohiggins.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"350\" height=\"471\" \/><\/span>Even a configuration of a (less than) heavenly host rings the old bell. (<a href=\"http:\/\/www.pbs.org\/art21\/artists\/feodorov\/clip1.html\">John Feodorov<\/a> &#8211; <i>Office Deity<\/i>)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"christfeodorov.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christfeodorov.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"569\" \/><\/span>For <a href=\"http:\/\/emilyduffyart.blogspot.com\/2008\/09\/constitutional-doublecross.html\">Emily Duffy<\/a>, the old bell is an alarm. In <i>Constitutional Doublecross<\/i>, she laments the blurring of the line between church and state. (Via Sandra)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"christemilyduffy.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christemilyduffy.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"233\" height=\"339\" \/><\/span>As befits the iconography, the fallen continue to fall. (<a href=\"http:\/\/mariangoodman.com\/Cattelan\/1.htm\">Maurizio Cattelan<\/a>)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"christcattelan.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christcattelan.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"214\" height=\"293\" \/><\/span>Faulkner:<\/p>\n<blockquote><p>The past is never dead. It&#8217;s not even past.<\/p><\/blockquote>\n<div><\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dominated by the Christianity for more than 1,500 years, art in the West continues to be seeded with its signs and symbols. They exert a magnetic pull over imagery that may or may not have been created to declare them. Lauren Grossman&#8217;s use is intentional, if not reverential. (Below, Clear Christ and Behold, via Howard [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-856","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=856"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/856\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}