{"id":838,"date":"2009-07-22T17:39:27","date_gmt":"2009-07-23T00:39:27","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/07\/fionn_meade_new_curator_at_scu\/"},"modified":"2009-07-22T17:39:27","modified_gmt":"2009-07-23T00:39:27","slug":"fionn_meade_new_curator_at_scu","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/07\/fionn_meade_new_curator_at_scu.html","title":{"rendered":"Fionn Meade new curator at Sculpture Center"},"content":{"rendered":"<p>Late of Seattle, <a href=\"http:\/\/www.facebook.com\/people\/Fionn-Meade\/530848478\">Fionn Meade<\/a> will be in charge of the lineup at the <a href=\"http:\/\/www.sculpture-center.org\/\">Sculpture Center<\/a>. A video installation by Meade and his wife, the artist Mary Simpson, titled <a href=\"http:\/\/www.seattleartmuseum.org\/exhibit\/exhibitDetail.asp?eventID=16481\"><i>Young Americans<\/i><\/a>, is at the <a href=\"http:\/\/www.seattleartmuseum.org\/\">Seattle Art Museum<\/a> through Aug. 30. Podcast interview with Meade and Simpson <a href=\"http:\/\/podcasts.thestranger.com\/2006\/11\/invisible_jen_graves_talks_to\">here<\/a>. Their Web site <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/simpsonandmeade.com\/images\/Man3-thumb.jpg&amp;imgrefurl=http:\/\/simpsonandmeade.com\/projects.html&amp;usg=__qmFqnrXOXmwLW6IlR4__LuTi1Eo=&amp;h=200&amp;w=271&amp;sz=50&amp;hl=en&amp;start=5&amp;sig2=Jrg9FzckJMmidtDn0yGwdA&amp;tbnid=571m48oPVo0c3M:&amp;tbnh=83&amp;tbnw=113&amp;prev=\/images%3Fq%3Dfionn%2Bmeade%2Byoung%2Bamericans%26gbv%3D2%26hl%3Den%26sa%3DG&amp;ei=WLRnSse6EKGqmQeXkuCkAQ\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Late of Seattle, Fionn Meade will be in charge of the lineup at the Sculpture Center. A video installation by Meade and his wife, the artist Mary Simpson, titled Young Americans, is at the Seattle Art Museum through Aug. 30. Podcast interview with Meade and Simpson here. Their Web site here.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-838","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=838"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/838\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}