{"id":825,"date":"2009-07-19T14:33:46","date_gmt":"2009-07-19T21:33:46","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/07\/national_portrait_gallery_sues\/"},"modified":"2009-07-19T14:33:46","modified_gmt":"2009-07-19T21:33:46","slug":"national_portrait_gallery_sues","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/07\/national_portrait_gallery_sues.html","title":{"rendered":"National Portrait Gallery sues Seattle&#8217;s Derrick Coetzee"},"content":{"rendered":"<p>Today from <a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/art\/news\/drawing-up-battle-lines-ndash-art-gallery-takes-on-wikipedia-1752310.html\">The Independent<\/a>, via <a href=\"http:\/\/www.artsjournal.com\/\">AJ<\/a>: <\/p>\n<blockquote><p>In her coronation robes, Elizabeth I looks formidable and stately &#8211; the Virgin Queen in her pomp, an image to propel rivals into battle. Some 400 years after her portrait was painted, that is precisely what she has done.<\/p>\n<p>Hers is one of more than 3,000 images from the National Portrait Gallery uploaded onto the free internet encyclopedia Wikipedia in April by Seattle-based <a href=\"http:\/\/research.microsoft.com\/en-us\/um\/people\/dcoetzee\/\">Derrick Coetzee<\/a>. The gallery, founded in 1856, responded last week by threatening legal proceedings against the PhD student.<\/p>\n<p>That action unleashed outrage in cyberspace and quickly led to a stand-off between the proponents of free information and cultural institutions wanting to protect one of their few revenue streams &#8211; licence fees for reproducing images of their artworks. The row also goes to the heart of an internet revolution which does not recognise borders or national laws.<\/p>\n<\/blockquote>\n<p>Image in question <a href=\"http:\/\/www.examiner.com\/x-13996-SF-Museum-Examiner%7Ey2009m7d19-Internet-101-Who-owns-the-images\">here<\/a>.<\/p>\n<p><a href=\"http:\/\/www.thisislondon.co.uk\/arts\/Brian%20Sewell-critic-42-archive.do\">Brian Sewell<\/a> calls the National Gallery&#8217;s legal team fools, which seems apt.<\/p>\n<blockquote><p>The National Portrait Gallery has<br \/>\nalways been managed by fools and this is another example of their folly. I&#8217;m<br \/>\non Wikipedia&#8217;s side. The only thing the gallery has to preserve are the<br \/>\npictures themselves. The images must, in some sense, be public property<br \/>\nalready.<\/p>\n<\/blockquote>\n<p>About the global pastime of suing people: Saul Bellow summed it up in <a href=\"http:\/\/www.amazon.com\/Humboldts-Gift-Penguin-Classics-Bellow\/dp\/0140189440\"><i>Humboldt&#8217;s Gift<\/i><\/a>.<\/p>\n<blockquote><p>Humboldt: I&#8217;ll be rich some day.<br \/>His friend: How?<br \/>Humboldt: Someone will wrong me.<\/p>\n<\/blockquote>\n<p>More on the case <a href=\"http:\/\/news.bbc.co.uk\/2\/hi\/technology\/8156268.stm\">here<\/a>.<\/p>\n<blockquote><p><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Today from The Independent, via AJ: In her coronation robes, Elizabeth I looks formidable and stately &#8211; the Virgin Queen in her pomp, an image to propel rivals into battle. Some 400 years after her portrait was painted, that is precisely what she has done. Hers is one of more than 3,000 images from the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-825","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=825"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/825\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}