{"id":805,"date":"2009-07-14T17:17:34","date_gmt":"2009-07-15T00:17:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/07\/richard_renaldi_-_things_fall\/"},"modified":"2009-07-14T17:17:34","modified_gmt":"2009-07-15T00:17:34","slug":"richard_renaldi_-_things_fall","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/07\/richard_renaldi_-_things_fall.html","title":{"rendered":"Richard Renaldi &#8211; things fall apart"},"content":{"rendered":"<p><a href=\"http:\/\/www.renaldi.com\/index.html\">Via<\/a><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"richardrenaldifallapart.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/richardrenaldifallapart.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"401\" height=\"261\" \/><\/span>Why is this image smoking, while countless others featuring falling down barns are born stone cold dead? Renaldi&#8217;s absence of nostalgia. His image is a clean hit.<\/p>\n<p>The title of this post comes from the 20th-century&#8217;s most influential poem, Yeats&#8217; <i>The Second Coming<\/i>:<\/p>\n<p><\/p>\n<blockquote><p>TURNING and turning in the widening gyre<br \/>The falcon cannot hear the falconer;<br \/> Things fall apart; the centre cannot hold;<br \/> Mere anarchy is loosed upon the world,<br \/> The blood-dimmed tide is loosed, and everywhere<br \/> The ceremony of innocence is drowned;<br \/> The best lack all conviction, while the worst<br \/> Are full of passionate intensity.<\/p>\n<p> Surely some revelation is at hand;<br \/> Surely the Second Coming is at hand.<br \/> The Second Coming! Hardly are those words out<br \/> When a vast image out of Spiritus Mundi<br \/> Troubles my sight:  somewhere in sands of the desert<br \/> A shape with lion body and the head of a man,<br \/> A gaze blank and pitiless as the sun,<br \/> Is moving its slow thighs, while all about it<br \/> Reel shadows of the indignant desert birds.<br \/> The darkness drops again; but now I know<br \/> That twenty centuries of stony sleep<br \/> Were vexed to nightmare by a rocking cradle,<br \/> And what rough beast, its hour come round at last,<br \/> Slouches towards Bethlehem to be born? <\/p><\/blockquote>\n<p>Sherman Alexie&#8217;s <a href=\"http:\/\/www.fallsapart.com\/\">Web site<\/a> is titled, <i>Falls Apart<\/i>. Joan Didion&#8217;s breakthrough essay collection? <a href=\"http:\/\/www.amazon.com\/Slouching-Towards-Bethlehem-Joan-Didion\/dp\/0374521727\"><i>Slouching Toward Bethlehem<\/i><\/a>. And&nbsp; <span><br \/>\n<span>Chinua Achebe&#8217;s best novel, the African version of <i>King Lear<\/i>? <a href=\"http:\/\/www.amazon.com\/Things-Fall-Apart-Chinua-Achebe\/dp\/0385474547\"><i>Things Fall Apart<\/i><\/a>. <\/span><\/span>The first 8 years of the 21st century suggested an answer to the poem&#8217;s last line. What beast slouches toward Bethlehem? We do.  <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Via Why is this image smoking, while countless others featuring falling down barns are born stone cold dead? Renaldi&#8217;s absence of nostalgia. His image is a clean hit. The title of this post comes from the 20th-century&#8217;s most influential poem, Yeats&#8217; The Second Coming: TURNING and turning in the widening gyreThe falcon cannot hear the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-805","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=805"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/805\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}