{"id":790,"date":"2009-07-11T10:47:26","date_gmt":"2009-07-11T17:47:26","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/07\/eddie_murphy_owned_the_80s_joh\/"},"modified":"2009-07-11T10:47:26","modified_gmt":"2009-07-11T17:47:26","slug":"eddie_murphy_owned_the_80s_joh","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/07\/eddie_murphy_owned_the_80s_joh.html","title":{"rendered":"Eddie Murphy owned the &#8217;80s; John Cage, the century"},"content":{"rendered":"<p>I love the pink lips and the baby blue suit. Marcus M\u00e5rtenson&#8217;s<br \/>\n<i>48 Hours<\/i> via <a href=\"http:\/\/www.garde-rail.com\/index.html\">Garde Rail<\/a>.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"MarcusMartensoneddie.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/MarcusMartensoneddie.jpg\" class=\"mt-image-left\" style=\"margin: 0pt 20px 20px 0pt; float: left;\" width=\"400\" height=\"276\" \/><\/span><\/p>\n<p>Murphy partied <a href=\"http:\/\/www.youtube.com\/watch?v=bDbpzjbXUZI\">all the time<\/a> (Via <a href=\"http:\/\/www.facebook.com\/home.php?ref=logo#\/tahirihbrown?__a=1\">Tahirih Brown<\/a>)<\/p>\n<div><\/div>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/bDbpzjbXUZI&amp;hl=en&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/bDbpzjbXUZI&amp;hl=en&amp;fs=1&amp;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/object><\/p>\n<p>Make that some of the time. The person who <a href=\"http:\/\/www.youtube.com\/watch?v=pcHnL7aS64Y&amp;eurl=http%3A%2F%2Fwww.facebook.com%2Fhome.php%3Fref%3Dlogo&amp;feature=player_embedded\">partied all the time<\/a> was John Cage (Via <a href=\"http:\/\/www.artnairplanes.com\/Statement.html\">Jim VanKirk<\/a>)<\/p>\n<div><\/div>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/pcHnL7aS64Y&amp;hl=en&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/pcHnL7aS64Y&amp;hl=en&amp;fs=1&amp;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/object><\/p>\n<p>I&#8217;m keeping both. If Cage&#8217;s version were the only music, the disco ball wouldn&#8217;t have been invented. Even those who are blind to Murphy&#8217;s brilliance will have to admit he makes a hell of a parade float. (<a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.kottke.org\/plus\/misc\/images\/eddie-murphy-giant-head.jpg&amp;imgrefurl=http:\/\/kottke.org\/08\/06\/eddie-murphys-giant-head&amp;usg=__A2zq-dhnLkkExEKlZlDdfqph85Y=&amp;h=375&amp;w=500&amp;sz=33&amp;hl=en&amp;start=37&amp;sig2=i27v0x1Qe6okAKJLIHmBvw&amp;tbnid=uVcvPbY7cRlQSM:&amp;tbnh=98&amp;tbnw=130&amp;prev=\/images%3Fq%3DEddie%2BMurphy%26gbv%3D2%26ndsp%3D20%26hl%3Den%26sa%3DN%26start%3D20&amp;ei=mNhYSqHeCpjytAPo9ZXIAg\">Via<\/a>)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"eddiemurphyhead.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/eddiemurphyhead.jpg\" class=\"mt-image-left\" style=\"margin: 0pt 20px 20px 0pt; float: left;\" width=\"401\" height=\"300\" \/><\/span><\/p>\n<p><\/p>\n<div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>I love the pink lips and the baby blue suit. Marcus M\u00e5rtenson&#8217;s 48 Hours via Garde Rail. Murphy partied all the time (Via Tahirih Brown) Make that some of the time. The person who partied all the time was John Cage (Via Jim VanKirk) I&#8217;m keeping both. If Cage&#8217;s version were the only music, the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-790","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/790","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=790"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/790\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=790"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=790"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}