{"id":787,"date":"2009-07-10T17:48:00","date_gmt":"2009-07-11T00:48:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/07\/stephen_hilyard_in_iceland_-_t\/"},"modified":"2009-07-10T17:48:00","modified_gmt":"2009-07-11T00:48:00","slug":"stephen_hilyard_in_iceland_-_t","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/07\/stephen_hilyard_in_iceland_-_t.html","title":{"rendered":"Stephen Hilyard in Iceland &#8211; The Rapture of the Deep"},"content":{"rendered":"<p><a href=\"http:\/\/www.stephenhilyard.com\/home.htm\">Stephen Hilyard<\/a> is a meticulous and inventive technician with a tendency to think his work into the ground. His eight large digitally manipulated landscape images titled <a href=\"http:\/\/www.platformgallery.com\/artist_pages\/Hilyard\/hilyard_rapture.html\"><i>Rapture of the Deep<\/i><\/a> at Platform&nbsp; Gallery are something else again. <\/p>\n<p>Shot in Iceland and reconfigured till what&#8217;s underwater becomes dry against the sky, the images feature the artist striking various poses associated with the grandiose sublime. He&#8217;s as tricky as ever, but this time his results move beyond craft into the inevitable.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"stephenhilyardsublime.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/stephenhilyardsublime.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"450\" height=\"239\" \/><\/span> <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Stephen Hilyard is a meticulous and inventive technician with a tendency to think his work into the ground. His eight large digitally manipulated landscape images titled Rapture of the Deep at Platform&nbsp; Gallery are something else again. Shot in Iceland and reconfigured till what&#8217;s underwater becomes dry against the sky, the images feature the artist [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-787","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=787"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/787\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=787"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=787"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}