{"id":785,"date":"2009-07-10T06:13:21","date_gmt":"2009-07-10T13:13:21","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/07\/reid_peppard_-_birds_in_your_h\/"},"modified":"2009-07-10T06:13:21","modified_gmt":"2009-07-10T13:13:21","slug":"reid_peppard_-_birds_in_your_h","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/07\/reid_peppard_-_birds_in_your_h.html","title":{"rendered":"Reid Peppard &#8211; from birds on your hat to rodents in your hair"},"content":{"rendered":"<p>Calvin Tomkins&#8217; <a href=\"http:\/\/www.amazon.com\/Bride-Bachelors-Five-Masters-Avant-Garde\/dp\/0140043136\"><i>The Bride and the Bachelors: Five Masters of the Avant-Garde<\/i><\/a> recounts the story of a woman who asked <a href=\"http:\/\/images.google.com\/images?hl=en&amp;q=rauschenberg&amp;btnG=Search+Images&amp;gbv=2&amp;aq=f&amp;oq=\">Rauschenberg<\/a> why he put, say, beds in his paintings or maybe goats. He asked her in return why she wore birds or maybe cherries on her hat.<\/p>\n<p>Maybe she looked like this, in a painting by <a href=\"http:\/\/www.robertsandtilton.com\/artists\/davis\/davis.html\">Noah Davis<\/a>:<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/07\/noahdavisbird-8466.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/07\/noahdavisbird-8466.html','popup','width=328,height=495,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/07\/noahdavisbird-thumb-250x377-8466.jpg\" alt=\"noahdavisbird.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"250\" height=\"377\" \/><\/a><\/span>If Rauchenberg was a shock, the adornments of <a href=\"http:\/\/reidpeppard.blogspot.com\/2009\/05\/more-and-some-re-documented-work.html\">Reid Peppard<\/a> would have been unimaginable. (Via Jena Scott)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"reidpeppardgpig.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/reidpeppardgpig.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"350\" height=\"241\" \/><\/span><br \/><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"reidpeppardrat2.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/reidpeppardrat2.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"436\" \/><\/span> <\/p>\n<div>Peppard is a long way from rings on her fingers and bells on her toes. (A chipmunk on <a href=\"http:\/\/www.youtube.com\/watch?v=a1Y73sPHKxw\">YouTube<\/a> saw her coming<i>.<\/i>)<\/p>\n<p>Peppard&#8217;s combs and hairbands are impressive, but if I had to pick something worthy of mention in the Rauschenberg context, I&#8217;d be more likely to go with <a href=\"http:\/\/www.platformgallery.com\/artist_pages\/Pokorny\/pokorny_main.html\">Melissa Pokorny<\/a>&#8216;s <i>You and Me and Birdshit.<\/p>\n<p><\/i><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><i><img loading=\"lazy\" decoding=\"async\" alt=\"MelissaPokornybird.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/MelissaPokornybird.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"419\" \/><\/i><\/span><\/p>\n<div><i><br \/><\/i><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Calvin Tomkins&#8217; The Bride and the Bachelors: Five Masters of the Avant-Garde recounts the story of a woman who asked Rauschenberg why he put, say, beds in his paintings or maybe goats. He asked her in return why she wore birds or maybe cherries on her hat. Maybe she looked like this, in a painting [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-785","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=785"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/785\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}