{"id":781,"date":"2009-07-09T10:07:22","date_gmt":"2009-07-09T17:07:22","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/07\/the_not_too_distant_mirror_mer\/"},"modified":"2009-07-09T10:07:22","modified_gmt":"2009-07-09T17:07:22","slug":"the_not_too_distant_mirror_mer","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/07\/the_not_too_distant_mirror_mer.html","title":{"rendered":"The (not too) distant fun house mirror: Merdardo Rosso"},"content":{"rendered":"<p>Merdardo Rosso, <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.nationalgalleries.org\/media_collection\/6\/GMA%25201274.jpg&amp;imgrefurl=http:\/\/www.nationalgalleries.org\/collection\/online_az\/4:322\/result\/0\/355%3Finitial%3DR%26artistId%3D4663%26artistName%3DMedardo%2520Rosso%26submit%3D1&amp;usg=__JOGE39_hbRQ-RT0wE_L4uZ59iIM=&amp;h=672&amp;w=540&amp;sz=80&amp;hl=en&amp;start=1&amp;sig2=irASc5idwNEoFmPqG7yIrA&amp;um=1&amp;tbnid=98aywU3u-xfy_M:&amp;tbnh=138&amp;tbnw=111&amp;prev=\/images%3Fq%3Dmedardo%2Brosso%26hl%3Den%26client%3Dfirefox-a%26rls%3Dorg.mozilla:en-US:official%26hs%3Dgh9%26sa%3DX%26um%3D1&amp;ei=D6VVSvqdL4OyNqnN9J0I\"><i>Ecce Peur (Behold the Boy)<\/i><\/a>, 1906<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/07\/merdardorosso1-8451.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/07\/merdardorosso1-8451.html','popup','width=400,height=497,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/07\/merdardorosso1-thumb-300x372-8451.jpg\" alt=\"merdardorosso1.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"372\" \/><\/a><\/span><br \/><a href=\"http:\/\/www.shoshanawayne.com\/artists\/OLIVERMICHAELS\/1.html\">Oliver Michaels<\/a>, undated and untitled as listed on <a href=\"http:\/\/www.phillipsartexpert.com\/forums\/7\/686\/?list=1\">phillips ART expert forum<\/a>.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"olivermichaels.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/olivermichaels.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"332\" height=\"430\" \/><\/span>Born 18 years after Rodin, in 1858, Rosso never approached the significance of his French peer during his lifetime. After it is another story. While Rosso&#8217;s impressionistic version of the abject is everywhere, Rodin gathers dust in museums, awaiting his comeback.&nbsp; <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Merdardo Rosso, Ecce Peur (Behold the Boy), 1906 Oliver Michaels, undated and untitled as listed on phillips ART expert forum. Born 18 years after Rodin, in 1858, Rosso never approached the significance of his French peer during his lifetime. After it is another story. While Rosso&#8217;s impressionistic version of the abject is everywhere, Rodin gathers [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-781","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=781"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/781\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}