{"id":740,"date":"2009-06-27T13:32:58","date_gmt":"2009-06-27T20:32:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/06\/package_and_consume_-_signed_s\/"},"modified":"2009-06-27T13:32:58","modified_gmt":"2009-06-27T20:32:58","slug":"package_and_consume_-_signed_s","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/06\/package_and_consume_-_signed_s.html","title":{"rendered":"Package and consume &#8211; signed, sealed, returned to sender"},"content":{"rendered":"<p>Shirin Aliabdai and Farhad Moshiri, <i>We Are All American<\/i> from <i>Operation Supermarket Series<\/i>, via <a href=\"http:\/\/www.nytimes.com\/slideshow\/2009\/06\/26\/arts\/design\/20090626_CHELSEA_SLIDESHOW_7.html\">New York Times<\/a>.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/06\/consumeAliabdaiMoshiri-8144.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/06\/consumeAliabdaiMoshiri-8144.html','popup','width=429,height=269,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/06\/consumeAliabdaiMoshiri-thumb-400x250-8144.jpg\" alt=\"consumeAliabdaiMoshiri.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"250\" \/><\/a><\/span>To Aliabdai and Moshiri, add <a href=\"http:\/\/www.equinoxgallery.com\/artists_index.asp?artist_type=1&amp;artist_id=122\">Sonny Assu<\/a>.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"sonnyassucoke.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/sonnyassucoke.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"110\" \/><\/span>Sonny Assu again, <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.belkin.ubc.ca\/_graphics\/137.jpg&amp;imgrefurl=http:\/\/www.belkin.ubc.ca\/satellite\/sonny-assu-as-defined-within-the-indian-act&amp;usg=__ZKvYPGT-NXetp-3weCt05PaJjf4=&amp;h=600&amp;w=800&amp;sz=196&amp;hl=en&amp;start=5&amp;sig2=SOCpeO1hjkmCFvWzdixcGQ&amp;tbnid=i94IJpLYyxTbNM:&amp;tbnh=107&amp;tbnw=143&amp;prev=\/images%3Fq%3Dsonny%2Bassu%26gbv%3D2%26hl%3Den%26sa%3DG&amp;ei=Z4RGSv2aEqLoMPuH8Z4B\">via<\/a>.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"sonnyassuloops.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/sonnyassuloops.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"301\" \/><\/span><a href=\"http:\/\/www.gregkucera.com\/daws_sculpture.htm\">Jack Daws<\/a>, <i>TWO TOWERS<\/i>, Chromogenic print of artist-made construction from McDonald&#8217;s French fries and Heinz ketchup.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"jackdawstwintowers.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/jackdawstwintowers.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"200\" height=\"330\" \/><\/span><br \/><a href=\"http:\/\/www.gregkucera.com\/beecher.htm\">Ross Palmer Beecher<\/a>, <i>7-Up Quilt<\/i><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"rosspalmerbeecher7up.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/rosspalmerbeecher7up.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"250\" height=\"334\" \/><\/span><a href=\"http:\/\/www.gregkucera.com\/shimomura_sculpture.htm\">Roger Shimomura<\/a>, <i>The Asian Mind<\/i><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"rogershimomuraasian.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/rogershimomuraasian.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"371\" height=\"492\" \/><\/span>Shimomura <a href=\"http:\/\/www.gregkucera.com\/shimomura_ebay.htm\">again<\/a>, <i>EBay Citizen No. 1<\/i><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"rogershimomuraebay.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/rogershimomuraebay.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"365\" height=\"197\" \/><\/span><a href=\"http:\/\/www.jamesharrisgallery.com\/Previous%20Exhibitions\/FrancoisvanReenen06112009.htm\">Fran\u00e7ois van  Reenen<\/a>, memories of a white childhood in South Africa, <i>Crying Cowboy #1<\/i><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"FrancoisvanReenen.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/FrancoisvanReenen.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"375\" height=\"459\" \/><\/span><a href=\"http:\/\/www.jamesharrisgallery.com\/Previous%20Exhibitions\/rashidjohnson072007.htm\">Rashid Johnson<\/a>, <i>Shea Butter Mountain<\/i><\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"rashidjohnsonshea.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/rashidjohnsonshea.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"497\" \/><\/span><a href=\"http:\/\/www.johnfeodorov.com\/index.htm\">John Feodorov<\/a>, New Age Native American mysticism<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"JohnFeodorovmystical.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/JohnFeodorovmystical.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"400\" height=\"297\" \/><\/span><a href=\"http:\/\/www.tonkonow.com\/lee.html\">Nikki S. Lee<\/a> &#8211; inserting herself into iconic America<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"nikkileecar.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/nikkileecar.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"397\" height=\"255\" \/><\/span>This could be the endless thread. It&#8217;s the essence of what artists do &#8211; <a href=\"http:\/\/www.mmoca.org\/news\/releases\/JasperJohns.php\">Take an object. Do something to it. Do something else to it.<\/a> One more packaging-worlds essential, although suggestions from others welcome.<\/p>\n<p><a href=\"http:\/\/www.diacenter.org\/exhibs\/moffatt\/project\/\">Tracey Moffatt<\/a>:<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"traceymoffatred.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/traceymoffatred.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"396\" height=\"306\" \/><\/span><\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Shirin Aliabdai and Farhad Moshiri, We Are All American from Operation Supermarket Series, via New York Times. To Aliabdai and Moshiri, add Sonny Assu. Sonny Assu again, via. Jack Daws, TWO TOWERS, Chromogenic print of artist-made construction from McDonald&#8217;s French fries and Heinz ketchup. Ross Palmer Beecher, 7-Up Quilt Roger Shimomura, The Asian Mind Shimomura [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-740","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=740"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/740\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=740"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}