{"id":685,"date":"2009-06-12T12:40:12","date_gmt":"2009-06-12T19:40:12","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/06\/monday_links\/"},"modified":"2009-06-12T12:40:12","modified_gmt":"2009-06-12T19:40:12","slug":"monday_links","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/06\/monday_links.html","title":{"rendered":"Links &#8211; give them back, you imperalist bully"},"content":{"rendered":"<p><b>Elgin Marbles<\/b>: Remember as a child when some thug who&#8217;d stolen your lunch said possession is 9\/10&#8217;s of the law? It still is. Culture Grrl has the story on how the English continue to disgrace themselves, <a href=\"http:\/\/www.artsjournal.com\/culturegrrl\/2009\/06\/latest_round_in_the_elgin_marb.html\">here<\/a>. Don&#8217;t they want to prove there is progress in human affairs? No. They want to hold on to a tourist draw. <\/p>\n<p><b>Germaine Greer:<\/b> The doctor is not in, but I feel confident in saying this woman is crazy. She used to be deranged about <a href=\"http:\/\/www.amazon.com\/Female-Eunuch-Germaine-Greer\/dp\/0374527628\">sex<\/a>, and now she&#8217;s nuts on art. She&#8217;s also a pleasure. <a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2009\/jun\/08\/germaine-greer-cooling-towers-art\">Here<\/a> she is on why nuclear cooling towers are more compelling as art than art, and better than nature. (Trees? She&#8217;s sick of them.)<\/p>\n<p>If she were talking about Vanessa Renwick&#8217;s images of a cooling tower near her home town, Greer would have a point. More Renwick on her Web site: <a href=\"http:\/\/www.odoka.org\/\"><i>Oregon Department of Kick Ass<\/i><\/a>. As many times as I&#8217;ve typed that title, I never grow tired of typing it again. To paraphrase what Mark Anthony said of Cleopatra, age cannot wither the <i>Oregon Department of Kick Ass<\/i> nor custom stain its infinite variety.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"vanessarenwicktrojan.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/vanessarenwicktrojan.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"448\" height=\"348\" \/><\/span><b>A realer reality<\/b>: Blake Gopnik in the <i>Washington Post<\/i>, <a href=\"http:\/\/www.registerguard.com\/csp\/cms\/sites\/web\/entertainment\/arts\/15206129-41\/story.csp\">here<\/a>.<\/p>\n<blockquote><p>The real always has been important territory for artists. The difference now is that while most of the more arty, &#8220;imaginative&#8221; options are looking tired, the &#8220;new realism,&#8221; if we dare call it that, seems to be gaining ground.<br \/>\nIt&#8217;s as likely to tweak and distort the world as to record it faithfully. It digs more deeply than ever before into what reality, and its documentation, can mean to us.<\/p><\/blockquote>\n<p>More arty options look tired? Which options are those? Such generalizations, so attractive to critics, betray an inability to be specific. Art&#8217;s specifics eat holes in the blanket of the general, and weaselly words such as &#8220;most&#8221; and &#8220;seems&#8221; cannot provide a patch. <\/p>\n<p>Still, Gopnik&#8217;s essay offers a good list of artists backed by his adequate descriptions of their work. Too bad there are no links or images. Presumably, the senior art critic at the <i>WP<\/i> doesn&#8217;t have time to make what he writes minimally useful online. It&#8217;s another example of mainstream media committing suicide. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Elgin Marbles: Remember as a child when some thug who&#8217;d stolen your lunch said possession is 9\/10&#8217;s of the law? It still is. Culture Grrl has the story on how the English continue to disgrace themselves, here. Don&#8217;t they want to prove there is progress in human affairs? No. They want to hold on to [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-685","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=685"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/685\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}