{"id":664,"date":"2009-06-08T13:09:14","date_gmt":"2009-06-08T20:09:14","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/06\/dada_economics_-_no_contacts_e\/"},"modified":"2009-06-08T13:09:14","modified_gmt":"2009-06-08T20:09:14","slug":"dada_economics_-_no_contacts_e","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/06\/dada_economics_-_no_contacts_e.html","title":{"rendered":"Dada economics &#8211; (art grants) no contacts, experience or talent necessary to win"},"content":{"rendered":"<p>Seattle&#8217;s <a href=\"http:\/\/www.vital5productions.com\/\">Vital 5<\/a> finds the process of applying for grants demeaning and the results arbitrary. Hence, it launched its <i>Arbitrary Art Grants<\/i>.You don&#8217;t have to be good to win. On the other hand, if you&#8217;re fabulous, Vital 5 won&#8217;t hold it against you. $500 to each lucky winner. More <a href=\"http:\/\/vital5productions.com\/CurrentEvents\/?p=111\">here<\/a>.<\/p>\n<p><object width=\"460\" height=\"240\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/LNS3szV2ZP4&amp;hl=en&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/LNS3szV2ZP4&amp;hl=en&amp;fs=1&amp;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"460\" height=\"240\"><\/object><\/p>\n<p>Last Friday, Vital 5 awarded another $500 dollars to somebody (anybody) with a sign protesting performance art in front of <a href=\"http:\/\/www.ontheboards.org\/\">On The Boards<\/a>, in honor of its <a href=\"http:\/\/www.ontheboards.org\/index.php?page=nwnw_detail&amp;perfID=230\"><i>NW New Works Festival<\/i><\/a>. <\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/06\/vital5protest-7610.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/06\/vital5protest-7610.html','popup','width=500,height=378,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/06\/vital5protest-thumb-350x264-7610.jpg\" alt=\"vital5protest.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"350\" height=\"264\" \/><\/a><\/span>Photo, Dino Martini. Four in front, left to right: <a href=\"http:\/\/emilypothast.wordpress.com\/about\/\">Emily Pothast<\/a><i>&nbsp; (God Hates Performance Art<\/i>); <a href=\"http:\/\/www.smiller555.com\/\">Steven Miller<\/a> (<i>This Goes In Your Mouth Not Up Your Butt!<\/i>); <a href=\"http:\/\/www.vermillionseattle.com\/vst\/index.php?main_page=product_info&amp;products_id=186\">Jed Dunkerley<\/a> (<i>Performance Art Is Unsustainable<\/i>) and John Sutton of <a href=\"http:\/\/www.suttonberesculler.com\/current.html\">SuttonBeresCuller<\/a> (unreadable from here).<\/p>\n<p>I love Pothast&#8217;s parody of her own interests. Ditto Miller, rabidly against what he cares about most (freedom). Dunkerley&#8217;s business consultant is a victim of his excessive self-esteem. If I were picking from the sample, Pothast would be picking up a check. Scoring aesthetically in this psudeo-protest, however, was of no value to the outcome, which is why so many artists turned out. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seattle&#8217;s Vital 5 finds the process of applying for grants demeaning and the results arbitrary. Hence, it launched its Arbitrary Art Grants.You don&#8217;t have to be good to win. On the other hand, if you&#8217;re fabulous, Vital 5 won&#8217;t hold it against you. $500 to each lucky winner. More here. Last Friday, Vital 5 awarded [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-664","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=664"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/664\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}