{"id":612,"date":"2009-05-29T10:43:25","date_gmt":"2009-05-29T17:43:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/05\/robyn_oneil_-_coming_to_you_fr\/"},"modified":"2009-05-29T10:43:25","modified_gmt":"2009-05-29T17:43:25","slug":"robyn_oneil_-_coming_to_you_fr","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/05\/robyn_oneil_-_coming_to_you_fr.html","title":{"rendered":"Robyn O’Neil – Coming to you from the Middle Ages"},"content":{"rendered":"

Robyn O’Neil’s graphite drawings open a pit under your feet and fail to comfort as you fall. Her version of hell is silence. It’s as frightening as any gargoyle leering at the medieval faithful as they entered their Gothic church. <\/p>\n

Abandon all reason, you who enter here. (Click to enlarge; more images at Tony Wright.<\/a>)<\/p>\n

<\/p>\n

\n
\"robynoneilpool.jpg\"<\/a><\/span>Perdition catch my soul
\nBut I do love thee! and when I love thee not,
\nChaos is come again.<\/i>
Othello<\/a><\/p>\n

<\/div>\n<\/blockquote>\n

Detail below. She owns this. <\/div>\n
\n
\"robynoneilpool2.jpg\"<\/a><\/span><\/div>\n<\/blockquote>\n
One of two drawings in Supramundane<\/i> at Ambach & Rice<\/a> through the weekend. They cannot be reproduced and must be seen in person. <\/div>\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Robyn O’Neil’s graphite drawings open a pit under your feet and fail to comfort as you fall. Her version of hell is silence. It’s as frightening as any gargoyle leering at the medieval faithful as they entered their Gothic church. Abandon all reason, you who enter here. (Click to enlarge; more images at Tony Wright.) […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-612","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=612"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/612\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}