{"id":565,"date":"2009-05-18T04:00:00","date_gmt":"2009-05-18T11:00:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/05\/your_name_here_-_carl_andre_an\/"},"modified":"2009-05-18T04:00:00","modified_gmt":"2009-05-18T11:00:00","slug":"your_name_here_-_carl_andre_an","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/05\/your_name_here_-_carl_andre_an.html","title":{"rendered":"Claim that space &#8211; Carl Andre and Charles Ray to Alex Schweder"},"content":{"rendered":"<p><a href=\"http:\/\/images.google.com\/images?q=carl+andre&amp;sourceid=navclient-ff&amp;rlz=1B3GGGL_enUS283US285&amp;um=1&amp;ie=UTF-8&amp;ei=F-UQSvqwKJqQswPu3vSNAw&amp;sa=X&amp;oi=image_result_group&amp;resnum=1&amp;ct=title\">Carl Andre<\/a> doesn&#8217;t think of his floor pieces from the late &#8217;60s as flat. They claim the space above them to the ceiling.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/carlandrefloor-6634.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/carlandrefloor-6634.html','popup','width=400,height=300,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/carlandrefloor-thumb-300x225-6634.jpg\" alt=\"carlandrefloor.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"225\" \/><\/a><\/span><br \/>In 1987, Charles Ray found a more literal way to connect within the spacial void. <i>Ink Line<\/i> flows from the ceiling to a hole in the floor, refabricated for his current <a href=\"http:\/\/www.matthewmarks.com\/index.php?n=2&amp;c=7&amp;e=463&amp;i=2666\">exhibit<\/a> at Matthew Marks. (Ken Johnson review <a href=\"http:\/\/www.nytimes.com\/2009\/05\/15\/arts\/design\/15gall.html?pagewanted=2&amp;ref=design\">here<\/a>.)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/CharlesRayline-6637.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/CharlesRayline-6637.html','popup','width=500,height=757,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/CharlesRayline-thumb-250x378-6637.jpg\" alt=\"CharlesRayline.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"250\" height=\"378\" \/><\/a><\/span><br \/><a href=\"http:\/\/www.alexschweder.com\/work\/painting.html\">Alex Schweder&nbsp;<\/a>&nbsp; connects through directions, which are, in the photo below, painted at the room&#8217;s top and bottom.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/alexschwederpaint-6640.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/alexschwederpaint-6640.html','popup','width=459,height=498,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/alexschwederpaint-thumb-300x325-6640.jpg\" alt=\"alexschwederpaint.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"325\" \/><\/a><\/span><\/p>\n<div><\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Carl Andre doesn&#8217;t think of his floor pieces from the late &#8217;60s as flat. They claim the space above them to the ceiling. In 1987, Charles Ray found a more literal way to connect within the spacial void. Ink Line flows from the ceiling to a hole in the floor, refabricated for his current exhibit [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-565","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=565"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/565\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=565"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}