{"id":480,"date":"2009-04-28T19:08:40","date_gmt":"2009-04-29T02:08:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/04\/after_goya_-_what_the_hand_kno\/"},"modified":"2009-04-28T19:08:40","modified_gmt":"2009-04-29T02:08:40","slug":"after_goya_-_what_the_hand_kno","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/04\/after_goya_-_what_the_hand_kno.html","title":{"rendered":"After Goya &#8211; What the hand knows"},"content":{"rendered":"<p>The lace that peers<br \/>\nout of pockets and lines a neck<br \/>\nlike blind worms<br \/>\nin search of soft earth<br \/>\nwas free, but <a href=\"http:\/\/www.amazon.co.uk\/Old-Man-Goya-Julia-Blackburn\/dp\/0099437252\">Goya charged<br \/>\nextra for hands<\/a>. <\/p>\n<p>Allowed into a painting, they have the tendency to take over.<\/p>\n<div><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/goya_duchess_of_alba-5604.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/goya_duchess_of_alba-5604.html','popup','width=400,height=575,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/goya_duchess_of_alba-thumb-250x359-5604.jpg\" alt=\"goya_duchess_of_alba.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"250\" height=\"359\" \/><\/a><\/span>&nbsp;<a href=\"http:\/\/www.google.com\/imgres?imgurl=http:\/\/eaobjets2.files.wordpress.com\/2008\/01\/ok_14_selbstbildnis.jpg&amp;imgrefurl=http:\/\/eaobjets.wordpress.com\/2008\/01\/29\/oskar-kokoschka-at-the-belvedere-vienna\/&amp;h=945&amp;w=747&amp;sz=320&amp;tbnid=XiPI7oB3iA2ftM::&amp;tbnh=148&amp;tbnw=117&amp;prev=\/images%3Fq%3DOskar%2BKokoschka&amp;hl=en&amp;usg=__xP23u67kLSPh0VCymPq-FScTGzQ=&amp;ei=q633SZDhAaektAPdnKzcDg&amp;sa=X&amp;oi=image_result&amp;resnum=3&amp;ct=image\">Oskar Kokoschka<\/a> let them.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/oscarkhands-5608.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/oscarkhands-5608.html','popup','width=400,height=506,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/oscarkhands-thumb-250x316-5608.jpg\" alt=\"oscarkhands.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"250\" height=\"316\" \/><\/a><\/span><a href=\"http:\/\/www.artnet.com\/artwork\/425962829\/424021114\/bruce-nauman-untitled-fingers-and-holes.html\">Bruce Nauman<\/a> assigns them lowly roles (false friend or pugilist). <\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/bruce-naumanhands-5611.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/bruce-naumanhands-5611.html','popup','width=400,height=297,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/bruce-naumanhands-thumb-250x185-5611.jpg\" alt=\"bruce-naumanhands.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"250\" height=\"185\" \/><\/a><\/span><a href=\"http:\/\/www.nytimes.com\/slideshow\/2009\/04\/24\/arts\/20090424-MOMA-SS_6.html\">Hannah Wilke<\/a>, right hand drawn by the left, tracked cancer.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/HannahWilkehand-5614.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/HannahWilkehand-5614.html','popup','width=385,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/HannahWilkehand-thumb-300x389-5614.jpg\" alt=\"HannahWilkehand.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"389\" \/><\/a><\/span><br \/><a href=\"http:\/\/www.debrabaxter.com\/index.html\">Debra Baxter<\/a> provided one of hers with a fallback position. She may not be able to take you down, but the brass emblem of intimacy sheltering her middle finger will.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/DebraBaxterbrassKnuckles-5617.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/DebraBaxterbrassKnuckles-5617.html','popup','width=369,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/DebraBaxterbrassKnuckles-thumb-300x406-5617.jpg\" alt=\"DebraBaxterbrassKnuckles.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"406\" \/><\/a><\/span><br \/><a href=\"http:\/\/www.sedersgallery.com\/Artists\/104\/104-000.htm\">Eduardo Calderon<\/a> &#8211; Caliban in love with unattainable beauty.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/eduardoCalderonmano-5620.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/eduardoCalderonmano-5620.html','popup','width=528,height=360,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/eduardoCalderonmano-thumb-300x204-5620.jpg\" alt=\"eduardoCalderonmano.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"204\" \/><\/a><\/span><a href=\"http:\/\/fredmuram.com\/pages\/photos\/one_day.html\">Fred Muram<\/a> &#8211; portrait of the artist as an incompetent. (Besides offending left, note limp right in rear.)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/FredMuramhands-5623.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/FredMuramhands-5623.html','popup','width=388,height=500,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/FredMuramhands-thumb-300x386-5623.jpg\" alt=\"FredMuramhands.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"386\" \/><\/a><\/span><br \/><a href=\"http:\/\/www.hugoludena.com\/photos.html\">Hugo Ludena<\/a> &#8211; male bonding.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/hugoludenamalebonding-5626.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/hugoludenamalebonding-5626.html','popup','width=501,height=381,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/hugoludenamalebonding-thumb-250x190-5626.jpg\" alt=\"hugoludenamalebonding.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"250\" height=\"190\" \/><\/a><\/span><a href=\"http:\/\/www.jenbekman.com\/lynton\/03.html\">Holly Lynton<\/a> &#8211; riding Mother Earth.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/holylynton_solid_ground-5629.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/holylynton_solid_ground-5629.html','popup','width=500,height=492,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/holylynton_solid_ground-thumb-300x295-5629.jpg\" alt=\"holylynton_solid_ground.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"295\" \/><\/a><\/span><br \/><a href=\"http:\/\/www.gregkucera.com\/roda.htm\">Tim Roda<\/a> &#8211; like father, like son.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/timrodahand-5632.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/\n2009\/04\/timrodahand-5632.html','popup','width=500,height=399,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/timrodahand-thumb-300x239-5632.jpg\" alt=\"timrodahand.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"239\" \/><\/a><\/span><\/div>\n<div><a href=\"http:\/\/www.pierogi2000.com\/flatfile\/mrozowskirearing.html\">Ryan Mrozowski<\/a>, guilty knowledge.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/MrozowskiRearing-6594.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/MrozowskiRearing-6594.html','popup','width=500,height=476,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/MrozowskiRearing-thumb-300x285-6594.jpg\" alt=\"MrozowskiRearing.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"285\" \/><\/a><\/span><br \/><a href=\"http:\/\/www.simonleegallery.com\/Artists\/Michaelangelo_Stoletto\/Selected_Works\">Michael Pistoletto<\/a>, solidarity.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/MIchaelPistoletto-6597.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/MIchaelPistoletto-6597.html','popup','width=420,height=176,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/05\/MIchaelPistoletto-thumb-300x125-6597.jpg\" alt=\"MIchaelPistoletto.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"125\" \/><\/a><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The lace that peers out of pockets and lines a neck like blind worms in search of soft earth was free, but Goya charged extra for hands. Allowed into a painting, they have the tendency to take over. &nbsp;Oskar Kokoschka let them. Bruce Nauman assigns them lowly roles (false friend or pugilist). Hannah Wilke, right [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-480","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=480"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/480\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=480"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=480"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}