{"id":475,"date":"2009-04-25T17:44:32","date_gmt":"2009-04-26T00:44:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/04\/the_artifical_intelligence_of\/"},"modified":"2009-04-25T17:44:32","modified_gmt":"2009-04-26T00:44:32","slug":"the_artifical_intelligence_of","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/04\/the_artifical_intelligence_of.html","title":{"rendered":"The artifical intelligence of art and nature"},"content":{"rendered":"<p><a href=\"http:\/\/www.energygallery.com\/23d6\/23d6g1\/PaulStout\/PaulStout4.htm\">Paul Stout<\/a>:<\/p>\n<p>Stout&#8217;s sculptural models are filters through which he distances himself from the world. As a kid, he worked in a hobby<br \/>\nstore. Systems tinkering was mandatory. The geeky youth he must have been is now blinding us with science and passing it<br \/>\noff as art. From his cracked accounts, the tragedy of our<br \/>\ncracked relationship with the earth takes slippery and uncertain shape.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/PaulStout4-5525.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/PaulStout4-5525.html','popup','width=500,height=429,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/PaulStout4-thumb-300x257-5525.jpg\" alt=\"PaulStout4.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"257\" \/><\/a><\/span><a href=\"http:\/\/www.lawrimoreproject.com\/lp\/Artists\/Pages\/Susan_Robb.html#26\">Susan Robb<\/a>: <\/p>\n<p>She works in the gap between flesh and fantasy, nature and technology,<br \/>\nattraction and repulsion. Her meanings slide across each other like<br \/>\ntectonic plates. What grinds to powder between them is the audience&#8217;s<br \/>\ncertainty that it knows what&#8217;s going on.<br \/>\n<\/p>\n<div><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/SusanRobbtweezer-5528.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/SusanRobbtweezer-5528.html','popup','width=500,height=379,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/SusanRobbtweezer-thumb-300x227-5528.jpg\" alt=\"SusanRobbtweezer.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"227\" \/><\/a><\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Paul Stout: Stout&#8217;s sculptural models are filters through which he distances himself from the world. As a kid, he worked in a hobby store. Systems tinkering was mandatory. The geeky youth he must have been is now blinding us with science and passing it off as art. From his cracked accounts, the tragedy of our [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-475","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=475"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/475\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}