{"id":471,"date":"2009-04-24T14:52:34","date_gmt":"2009-04-24T21:52:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/04\/art_for_dyslexics\/"},"modified":"2009-04-24T14:52:34","modified_gmt":"2009-04-24T21:52:34","slug":"art_for_dyslexics","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/04\/art_for_dyslexics.html","title":{"rendered":"Art for dyslexics"},"content":{"rendered":"<p>Letters sideways and shuffled in the middle (<a href=\"http:\/\/www.regenprojects.com\/artists\/jack-pierson\/\">via<\/a>):<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/JackPierson_LastChanceLost-5482.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/JackPierson_LastChanceLost-5482.html','popup','width=528,height=259,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/JackPierson_LastChanceLost-thumb-300x147-5482.jpg\" alt=\"JackPierson_LastChanceLost.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"147\" \/><\/a><\/span>Do the letters spell out <i>Lancelot<\/i>,<i> LA&#8217;s Chance Lots<\/i> or Jack Pierson&#8217;s title, <i>Last Chance Lost<\/i>? Just as dyslexics don&#8217;t limit themselves to one meaning, the work itself invites multiple readings. Pierson&#8217;s battered cluster of light-struck letters is the equivalent of Thelonious Monk&#8217;s embrace of wrong\/right notes&#8230; <\/p>\n<div><\/div>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/F2s6LZUdYaU&amp;hl=en&amp;fs=1&amp;rel=0\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/F2s6LZUdYaU&amp;hl=en&amp;fs=1&amp;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/object><\/p>\n<p>Because everybody knows that in art, wrong can be right.<\/p>\n<p>(<a href=\"http:\/\/artworksmagazine.com\/?p=42\">Baldessari)<\/a><br \/><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"JBaldessariwrong.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/JBaldessariwrong.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"275\" height=\"360\" \/><\/span><a href=\"http:\/\/www.jamesharrisgallery.com\/Previous%20Exhibitions\/stephaniesyjuco42009.html\">Stephanie Syjuco at James Harris Gallery<\/a> through May 2.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/Skyscraper%28SS%29-5486.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/Skyscraper(SS)-5486.html','popup','width=528,height=361,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/Skyscraper%28SS%29-thumb-300x205-5486.jpg\" alt=\"Skyscraper(SS).jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" width=\"300\" height=\"205\" \/><\/a><\/span><\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Letters sideways and shuffled in the middle (via): Do the letters spell out Lancelot, LA&#8217;s Chance Lots or Jack Pierson&#8217;s title, Last Chance Lost? Just as dyslexics don&#8217;t limit themselves to one meaning, the work itself invites multiple readings. Pierson&#8217;s battered cluster of light-struck letters is the equivalent of Thelonious Monk&#8217;s embrace of wrong\/right notes&#8230; [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-471","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=471"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/471\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}