{"id":452,"date":"2009-04-20T17:30:54","date_gmt":"2009-04-21T00:30:54","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/04\/mr_cotter_won_the_pulitzer\/"},"modified":"2009-04-20T17:30:54","modified_gmt":"2009-04-21T00:30:54","slug":"mr_cotter_won_the_pulitzer","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/04\/mr_cotter_won_the_pulitzer.html","title":{"rendered":"Congratulations, Holland Cotter"},"content":{"rendered":"<p>Mr. Cotter won the Pulitzer for criticism, story <a href=\"http:\/\/topics.nytimes.com\/top\/reference\/timestopics\/people\/c\/holland_cotter\/index.html\">here<\/a>.<br \/>\nArt critics have long been passed over for Pultizers. He&#8217;s an excellent<br \/>\nplace to start. In an Allan M. Jalon profile of Cotter last December in<br \/>\nthe <i>Columbia Journalism Review<\/i> (<a href=\"http:\/\/www.cjr.org\/q_and_a\/object_lessons_1.php\">only the lead online<\/a>), Jalon quoted me<br \/>\nsaying..:<\/p>\n<blockquote><p>Of all the critics out there, I think I might like Cotter the most, not<br \/>\nonly for his knowledge and insight (lots of critics have that) but for<br \/>\nthe heart and soul he quietly brings to each piece.<\/p><\/blockquote>\n<p>More from me on Cotter more <a href=\"http:\/\/www.artsjournal.com\/anotherbb\/2009\/04\/about-last-week---what-stands-1.html\">here<\/a>, <a href=\"http:\/\/blog.seattlepi.com\/art\/archives\/152987.asp\">here<\/a>, <a href=\"http:\/\/blog.seattlepi.com\/art\/archives\/129558.asp\">here<\/a> and <a href=\"http:\/\/blog.seattlepi.com\/art\/archives\/110012.asp\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mr. Cotter won the Pulitzer for criticism, story here. Art critics have long been passed over for Pultizers. He&#8217;s an excellent place to start. In an Allan M. Jalon profile of Cotter last December in the Columbia Journalism Review (only the lead online), Jalon quoted me saying..: Of all the critics out there, I think [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-452","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=452"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/452\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}